Of the many important themes that appear throughout Timothy Findley’s novel The Wars, the loss of innocence is undeniably one of, if not the, most significant. When central character Robert Ross goes off to fight in the War to end all Wars, the traumatic events he experiences strip him of his docile nature. It should be noted that this loss of innocence in Robert Ross cannot be pinned down to a single, sudden event or specific battle – rather, it is a process that unfolds slowly over the course of the novel, and it is devastating. Perhaps more significantly, however, is that the loss of innocence is strongly tied to another theme central to the novel – animals and animal symbolism. In The Wars, animals and the natural world represent something pure and untainted by the war; whereas the world of humans is war-torn and brutal. Robert himself appears to feel more at home with animals, and is timid, fumbling, and awkward in front of other humans – at least in the early parts of the novel. It is noteworthy, then, that in most landmark scenes in which some innocence is lost, an animal is always present. At the beginning of the novel, Robert Ross comes across as timid and uncomfortable around others, as well as a little naïve– his impressions of the world and its hardships are boyish and altogether idealistic. When it comes to sea travel, Findley writes, “Calmer waters on earlier voyages had given him [Robert] a false impression: the sea was… temperate. It rolled to your
Timothy Findley's The Wars describes the history of Robert Ross, a Second Lieutenant in the Canadian Army, during World War 1. The story of Robert Ross is a candid recollection of a young man coming of age in the midst of horror and confusion associated with the "war to end all wars". Presented in the form of an archivist trying to piece together the past from pictures and letters, the narrative account is full of rich imagery and deep meaning. The abundant animal imagery in the novel is used to parallel and reveal the character of Robert Ross, foreshadow the situations he finds himself in, and symbolize hope amidst war.
In the novel The Wars, Findley demonstrates that innocence is lost during the war due to the harsh circumstances one is continually exposed too. Self-preservation, in this context, is where one protects themselves from the destruction of war in order to preserver. Often when one is growing up in war times, innocence is lost due to the destruction happening around them.
In everyday society cruelty is faced, weather yet another person is arrested for the killing of and innocent animal, or even the seemingly never ending brutality of the police forces going viral on YouTube yet again. Of course we have the do not touch subjects, such as war. The constant debate over is killing innocent people okay, just because it’s war. Jack London really brings this point alive in his short story “War”. In this thought-provoking piece of literature the odd uses of characterization, symbolism, morals, and irony lead a reader to an overall statement of theme that simply war is cruel.
Robin Jenkins effectively conveys loss of innocence and ant war through sophisticated symbolism in the short story “Flowers”. It tells the story of a young girl, Margaret, who was evacuated from the city of Glasgow to the highlands of Scotland in an attempt to avoid the inhumanity of war, but it is in the highlands where she truly witnessed the brutality of war.
The abundant animal imagery in Timothy Findley's book The Wars is used to develop characterization and theme. The protagonist, Robert Ross, has a deep connection with animals that reflects his personality and the situations that he faces. This link between Robert and the animals shows the reader that human nature is not much different than animal nature.
War is a hellish battleground where many lives are taken. In war there is constantly images and events that happen which can change a soldier’s life forever. In the book All Quiet on the Western Front Remarque uses the symbols of boots, butterflies and horses to advance the main theme in the novel, that war takes young men’s innocence away.
Robert Ross, the protagonist of Timothy Findley’s novel The Wars undergoes a disturbing violation when his fellow soldiers rape him; this is a significant turning point for Robert’s character and a section of the book Findley uses to address many themes. Throughout the book we witness Robert maturing and experiencing many hardships that will help create the man he becomes. The most significant of these trials is the scene at the insane asylum because it is where Robert looses the last connection to his innocence and his faith in humanity’s virtuousness. Findley also uses this scene to address the topic of homophobia in that era, and
War is often thought about as something that hardens a soldier. It makes a person stronger emotionally because they are taught not show it and deal with it internally. People say that death in war is easier to handle because it is for the right reasons and a person can distance themselves from the pain of losing someone. However, there is always a point when the pain becomes too real and it is hard to maintain that distance. In doing so, the story disputes the idea that witnessing a traumatic event causes a numbing or blockage of feelings. Rat Kiley’s progression of sentiment began with an initial concern for the buffalo, transforming into an irate killing of the animal, and then ending with an ultimate acceptance of death. These
Parallels are drawn between the protagonist, Robert Ross, and many of the animals that appear throughout the novel. Robert appears to have a strong kinship with his animal counterparts. After enlisting in the army, Robert takes a run out on the prairie, where he encounters a coyote. He instinctively begins to follow the creature, and it leads him to a valley where it stops to drink at a small pond. As it drinks, "the sound . . . [crosses] the distance between them and . . . [seems] to satisfy his own thirst" (The Wars 28). Before the coyote leaves, it turns and "[looks] directly at him . . . and [barks] . . .The coyote had known he was there the whole time: maybe the whole of the run across the prairie. Now it was telling Robert that the valley was vacant: safe-and Robert could proceed to the water's edge and drink" (28). Later that night, as he sits alone, Robert finds himself "wishing that someone would howl" (28). Robert also seems to have a special bond with birds, which often appear in the novel, frequently at times of crisis for Robert. After unwittingly leading his men through the fog onto a collapsing dike, the air is suddenly "filled with the shock waves of wings . . . [and] the sound of their motion [sends] a shiver down Robert's back" (81). Subsequently, Robert steps into the sinking mud and is nearly sucked down to his death beneath the earth. Later in the novel, Robert again encounters a bird, and it is at the same
In the incredible book, All Quiet on the Western Front written by Erich Maria Remarque, the reader follows Paul Baumer, a young man who enlisted in the war. The reader goes on a journey and watches Paul and his comrades face the sheer brutality of war. In this novel, the author tries to convey the fact that war should not be glorified. Through bombardment, gunfire, and the gruesome images painted by the author, one can really understand what it would have been like to serve on the front lines in the Great War. The sheer brutality of the war can be portrayed through literary devices such as personification, similes, and metaphors.
Joseph Conrad once observed that “a belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness.” As a result of the violence that is necessary during wartime, soldiers are permitted to engage in savage behavior that is normally forbidden in society. In The Wars by Timothy Findley, however, soldiers act in violent ways even when they are not actively engaged in battle. The inherently savage nature of humankind is evident when Robert Ross kills the German soldier after the gas attack, when Robert is raped in the baths, and when Robert kills Captain Leather. These violent events that occur outside the direct action of the war demonstrate the evil inherent in
All things truly wicked start from innocence. A moral truth that finds its place among today’s society. Innocence is such a frail, yet valuable quality. The loss of innocence can lead to such disastrous consequences. The theme of the loss of innocence is a prevalent one found throughout the novel The Wars by Timothy Findley. It is noted particularly in regards to the protagonist, Robert Ross. Early on in the novel, he encounters such miserable situations that dramatically mature his character emotionally and mentally in such a short period of time. Such events include the sudden loss of a loved one, sexual encounters, and the murder of the
Robert Ross is a sensitive, private boy; last person you would expect to sign up to fight in World War One. In The Wars by Timothy Findley, symbols are used in conjunction with Ross’ story to cause readers to reflect on symbols in their own lives, and to allow then to dive deeper into the world of an innocent boy who is placed into a cruel war. The various symbols in The Wars provide for a graphic and reflective reading experience by emphasizing Robert’s connection with nature, his past, and his experiences during the war.
War is a dangerous game, many people would likely agree to this, however, very few have ever seen a battlefront. The truth is that war, no matter how awful we can imagine it, is always exponentially worse. In Timothy Findley’s The Wars, Robert Ross, the protagonist, faces a situation that he finds difficult to come to terms with, and when faced with a similar situation later on in the novel, he must take drastic measures to reconcile the uncertainties of the past situation. Timothy Findley suggests, through the life of Robert Ross, that one’s need to reconcile the uncertainties of past experiences dominate our actions when such situations come up again in our lives. In the words of Hiram Johnson, a US Senator during the First World War,
Robert Ross’ whole life he grew up in a household where they did what was expected of them, rather than what was right. The type of people that Findley place in Robert’s life is what molds him into the type of character he becomes. Timothy Findley manipulates what a hero is supposed to be, by making Robert Ross a distorted kind of hero. Robert Ross exemplifies anti-heroism throughout the text because of his need to be a savior but inability to do so, his morals and his connection with animals.