Shaun of the Dead is a 2004 British-French-American horror comedy film directed by Edgar Wright. Throughout the movie many characters are introduced which are, Shaun of Shaun, Ed, Liz, Pete, David and Diana, Parents Barbara and Phillip and Zombies. Shaun is an electronics store manager whose life is going nowhere. Shaun is not very unique but gets placed in unique situations throughout the movie. He has a mission he must accomplish. Ed is Shaun best friend, and his partner, he acts as a helper making sure Shaun achieves his goal. Liz is Shaun ex who Shaun is still in love with. Pete is Shaun co-worker .David and Diana are Liz friends who tag along and helped throughout the journey. Shaun of the Dead focuses on the main character Shaun who hardly has any goals for himself in life. Throughout the movie Shaun is face with problems. Shaun has relationship problem with his girlfriend Liz and mother. Liz who is fed up and dissatisfied with their relationship, simply because she feels it revolves around going to The Winchester, Shaun 's favorite spot. She feels like Shaun does not put enough effort into their relationship. Shaun is also faced with various issues with his mother. When Liz dumps him, Shaun finally decides to get his life in order. By getting his life together his goals are to win back the heart of his girlfriend, repair his relationship with his mom and face up to the responsibilities of adulthood. Unfortunately, his plans are interrupted by the Zombies disaster.
What makes us alive and what makes the zombies dead or undead? Well it all has to with neuroscience and most importantly the brain. The biggest question is what the requirements of life are? The requirements are the process to maintain homeostasis and the ability to adapt to changes. Do zombies maintain homeostasis for the undead couldn’t cause of the decay wouldn’t be able to because it couldn’t respond to change in the environment and don’t the ability to heal or repair. Unlike the livening dead would be able to adjust to the changes also could maintain the in the internal environment.
In The Shallows by Nicholas Carr, he asserts that the evolution of information and communication technology (ICTs) is having a detrimental impact on our brains despite the many benefits and advances we have made with it. His main focus is on the internet which he commonly refers to as the “universal medium” (92). Carr presents a very detailed but biased argument in which he views the internet and other technologies as the adversary of critical thinking and progress. To Carr, we are sacrificing our ability to think logically because we are choosing a simpler way to gain knowledge.
Night of the Living Dead follows this story line. George A Romero saw zombies as what they were, the living dead, meaning that they were dead, and dead things cannot talk. Instead, he developed the zombie communication of grunts and groans. These were effective in such a way that it made the film so much more realistic.
The day started like that of any other these last couple of weeks. Mysterious incidents kept popping up in the news, of small groups going mad and becoming savage. Life was like that in Lampeter. Very little going on in town, whilst the whole world around us lives with a constant stream of danger. Some people were getting worried, afraid it was some sort of virus going around, but that happens all the time. One small case of a disease and the world’s in an epidemic. Happened with bird flu, E-coli, and we had just got over the joys of swine flu. Now this. Some people were becoming wary, uneasy around other people, fears of catching this mystery virus afflicting the nation and forcing its way into people’s minds. The unfortunate thing was,
Zombies aren’t supposed to exist. But what if they do, and we interact with them every day? Chuck Klosterman’s essay, “My Zombie, Myself”, compares everyday life to the task of killing zombies. Through elaborate metaphors, quotes from zombie experts, and a strong call to action, he successfully appeals to pathos, ethos and logos to convince his readers. Klosterman argues that even though modern life is monotonous, it is possible to escape the monotony.
In the beginning of the film, Shaun is shown as the lead character. His appearance is zombie- like because of his behavior and lifestyle in a humorous way. The ironic of that is the he is the human fighting against the zombies later on, not
Nicholas Carr covers an unprecedented amount of material in his novel, “The Shallows.” He delves into subjects ranging from the history of the book to the business of Google to the psychological concept of neuroplasticity. All of these topics support his main argument: the idea that the internet is destroying our brains. He takes the deterministic approach that we are the tools we use, meaning they shape our brains. According to Carr, the internet negates our memories, deems print books useless, and distracts us from reality. His counterargument comes from the instrumentalist approach; this viewpoint maintains that people stay the same no matter the tools they use. His arguments are both sound and flimsy, current and outdated, and he rants
The Walking Dead is an American horror drama television series, which is based on the comic book series of the same name. It tells the story of a small group of survivors living in the aftermath of a zombie apocalypse. The plot focuses on the dilemmas the group faces as they struggle to maintain their humanity during the daily challenges of surviving in a hostile world. Which includes battling
First off, I love Mathias Clasen’s paper, about people becoming reanimated corpses or zombies. I would not know what I would do if my Mom become an undead monster, or worse, what if my father, who passed away six years ago, came back from the grave. Could I bring myself to kill them, (well kill my dad again because he already dead) or tie them up, lock them in my basement and just go to see them, like the movie, Shaun of the Dead. The dynamic questions come into that what are monsters within and without. Clasen talks about zombies being “dull creatures” and having one life goal, “to eat fresh and brains” (3) compared to vampires or werewolves, who retain their intelligence. Compared this cultures and looking from the outside on taboo monsters that are alive monsters (aliens, killer sharks, or killer humans), the undead breaks the code of
The Call of Cthulhu is a horror story that is able to break through and cause terror. The horror comes from forcing the reader to witness awful and unexplainable things happen to the characters in the story, especially without the ability to prevent the misfortunes from happening. It becomes terror because Lovecraft places the entire story in our reality rather then a fictional setting. Becuase of this, we are forced to relate the story’s events to our physical world. It inflicts a sense of danger by insinuating that the forces in the story exist around us. Lovecraft is able to effectively place the imaginary story in our physical world by arming the story in science and logic, using familiar references and locations, and makes you an unofficial
In the novella The Body, author Stephen King makes an attempt to explain a story about losing innocence, only to be replaced by maturity and the corruption that comes with it. To do so, King revolves a story around a group of four boys who go on a life changing journey to find a dead body they heard about through the grape vine. Little did they know that pursuing this journey would eventually change them for the worse. In its entirety, the crux of the novella was to show how the experience of meeting death hands-on will pivot a person’s life and will either lead them onto a slippery slope or mold them in to a man soon to be. More specifically, King reinforces this theme beautifully by using light imagery during the
Focusing specifically on the world around Shaun, the protagonist, Wright gives him the chance to make amends and proceed with the uncomfortable nature of the chaotic zombie world. As Shaun rescues his mother and Liz. Shaun and Ed join up with Liz’s friends; tension starts to rise between these two groups. David (one of Liz’s friends) hates Shaun to the point of shooting him and his, soon to be undead, mum; exacerbating a Mexican standoff between Shaun and David. David can’t come to terms that Liz fell in love with Shaun, while at the same time Shaun won’t bring any harm to his, soon to be undead, mum.
As Stephen King once said “Our emotions and our fears form their own body, and we recognize that it demands it’s own exercise to maintain proper muscle tone...But anticivilization emotions don’t go away, and they demand periodic exercise.” In the film Silent Hill, directed by Christophe Gans, a nine year old girl named Alessa is forced to live a life of torment. Alessa’s fear and pain never left but instead grew. Alessa as a result allowed her darkest emotions to split from her physical body creating a doppelgänger of herself; Dark Alessa. The darkest side of her own soul promised to make everyone who ever hurt her fall into her darkest dreams. A systematic exposure to hatred and maltreatment led Alessa to give up her innocence and invest herself fully to seeking revenge.
Stephen King’s fore note to Danse Macabre, he suggested that zombies act as fast-moving terrorists. “By 2004, only three years downriver from 9/11, rampant consumerism was the last thing on our minds. What haunted our nightmares was the idea of suicide bombers driven by an unforgiving (and unthinking, most of us believed) ideology and religious fervor. You could beat ’em , burn ’em , but they’d just keep coming, the news reports assured us.” (King 40) Here Stephen King says that terrorists are relentless killers. What Stephen King is not mentioning, is that terrorists are not necessarily fast moving and neither are all zombies. Stephen King is generalizing zombies and terrorists which, makes his argument weaker than it appears. There are many myths about zombies in literature and movies that do not fit the characteristics in which King is discusses. Some other examples of zombies, such as the Resident Evil films, portray zombies in a different way. In Edgar Allan Poe’s The Tell-Tale Heart he describes a man with a disfigurement that gives us insight to the true nature of the fear created by zombies.
The Walking Dead universe does not use the term zombies, but “walkers” instead. The premise of the game revolves around the main character Lee Everett and a little girl named Clementine, who he meets at the beginning of the game and is set to protect her at all costs. On the way to find a better place or escape for survival, they meet several people and survival groups who may leave or die due to decisions that the players make. The main storyline does not stray too much and the choices that the players make affect more on character development and how the other characters in the game perceive Lee.