Henry Craik, ed. English Prose. 1916.
Vol. I. Fourteenth to Sixteenth Century
Charles Dickens (1812–1870)
W
Among these, City Churchyards hold a high place. Such strange churchyards hide in the City of London; churchyards sometimes so entirely detached from churches, always so pressed upon by houses; so small, so rank, so silent, so forgotten, except by the few people who ever look down into them from their smoky windows. As I stand peeping in through the iron gates and rails, I can peel the rusty metal off, like bark from an old tree. The illegible tombstones are all lop-sided, the grave-mounds lost their shape in the rains of a hundred years ago, the Lombardy Poplar or Plane-Tree that was once a drysalter’s daughter and several common-councilmen, has withered like those worthies, and its departed leaves are dust beneath it. Contagion of slow ruin overhangs the place. The discoloured tiled roofs of the environing buildings stand so awry, that they can hardly be proof against any stress of weather. Old crazy stacks of chimneys seem to look down as they overhang, dubiously calculating how far they will have to fall. In an angle of the walls, what was once the tool-house of the grave-digger rots away, encrusted with toadstools. Pipes and spouts for carrying off the rain from the encompassing gables, broken or feloniously cut for old lead long ago, now let the rain drip and splash as it list, upon the weedy earth. Sometimes there is a rusty pump somewhere near, and, as I look in at the rails and meditate, I hear it working under an unknown hand with a creaking protest: as though the departed in the churchyard urged, “Let us lie here in peace; don’t suck us up and drink us!”
One of my best beloved churchyards, I call the churchyard of Saint Ghastly Grim; touching what men in general call it, I have no information. It lies at the heart of the City, and the Blackwall Railway shrieks at it daily. It is a small small churchyard, with a ferocious strong spiked iron gate, like a jail. This gate is ornamented with skulls and cross-bones, larger than the life, wrought in stone; but it likewise came into the mind of Saint Ghastly Grim, that to stick iron spikes a-top of the stone skulls, as though they were impaled, would be a pleasant device. Therefore the skulls grin aloft horribly, thrust through and through with iron spears. Hence, there is attraction of repulsion for me in Saint Ghastly Grim, and, having often contemplated it in the daylight and the dark, I once felt drawn towards it in a thunderstorm at midnight. “Why not?” I said, in self-excuse. “I have been to see the Colosseum by the light of the moon; is it worse to go to see Saint Ghastly Grim by the light of the lightning?” I repaired to the Saint in a hackney cab, and found the skulls most effective, having the air of a public execution, and seeming, as the lightning flashed, to wink and grin with the pain of the spikes. Having no other person to whom to impart my satisfaction, I communicated it to the driver. So far from being responsive, he surveyed me—he was naturally a bottle-nosed red-faced man—with a blanched countenance. And as he drove me back, he ever and again glanced in over his shoulder through the little front window of his carriage, as mistrusting that I was a fare originally from a grave in the churchyard of Saint Ghastly Grim, who might have flitted home again without paying.
Sometimes, the queer Hall of some queer Company gives upon a churchyard such as this, and, when the Livery dine, you may hear them (if you are looking in through the iron rails, which you never are when I am) toasting their own Worshipful prosperity. Sometimes, a wholesale house of business, requiring much room for stowage, will occupy one or two or even all three sides of the enclosing space, and the backs of bales of goods will lumber up the windows, as if they were holding some crowded trade-meeting of themselves within. Sometimes, the commanding windows are all blank, and show no more sign of life than the graves below—not so much, for they tell of what once upon a time was life undoubtedly. Such was the surrounding of one City churchyard that I saw last summer, on a Volunteering Saturday evening towards eight of the clock, when with astonishment I beheld an old old man and an old old woman in it, making hay. Yes, of all occupations in this world, making hay! It was a very confined patch of churchyard lying between Gracechurch-street and the Tower, capable of yielding, say an apronful of hay. By what means the old old man and woman had got into it, with an almost toothless hay-making rake, I could not fathom. No open window was within view; no window at all was within view sufficiently near the ground to have enabled their old legs to descend from it; the rusty churchyard-gate was locked. Gravely among the graves, they made hay, all alone by themselves. They looked like Time and his wife. There was but the one rake between them, and they both had hold of it in a pastorally-loving manner, and there was hay on the old woman’s black bonnet, as if the old man had recently been playful. The old man was quite an obsolete old man, in knee-breeches and coarse gray stockings, and the old woman wore mittens like unto his stockings in texture and in colour. They took no heed of me as I looked on, unable to account for them. The old woman was much too bright for a pew-opener, the old man much too meek for a beadle. On an old tombstone in the foreground between me and them, were two cherubim; but for those celestial embellishments being represented as having no possible use for knee-breeches, stockings, or mittens, I should have compared them with the hay-makers, and sought a likeness. I coughed and awoke the echoes, but the haymakers never looked at me. They used the rake with a measured action, drawing the scanty crop towards them; and so I was fain to leave them under three yards and a half of darkening sky, gravely making hay among the graves, all alone by themselves. Perhaps they were spectres, and I wanted a medium.
In another City churchyard of similar cramped dimensions, I saw, that self-same summer, two comfortable charity children. They were making love—tremendous proof of the vigour of that immortal article, for they were in the graceful uniform under which English Charity delights to hide herself—and they were overgrown, and their legs (his legs at least, for I am modestly incompetent to speak of hers) were as much in the wrong as mere passive weakness of character can render legs. O it was a leaden churchyard, but no doubt a golden ground to those young persons! I first saw them on a Saturday evening, and, perceiving from their occupation that Saturday evening was their trysting-time, I returned that evening se’nnight, and renewed the contemplation of them. They came there to shake the bits of matting which were spread in the church aisles, and they afterwards rolled them up, he rolling his end, she rolling hers, until they met, and over the two once divided now united rolls—sweet emblem!—gave and received a chaste salute. It was so refreshing to find one of my faded churchyards blooming into flower thus, that I returned a second time, and a third, and ultimately this befell:—They had left the church door open, in their dusting and arranging. Walking in to look at the church, I became aware, by the dim light, of him in the pulpit, of her in the reading-desk, of him looking down, of her looking up, exchanging tender discourse. Immediately both dived, and became as it were non-existent on this sphere. With an assumption of innocence I turned to leave the sacred edifice, when an obese form stood in the portal, puffily demanding Joseph, or in default of Joseph, Celia. Taking this monster by the sleeve, and luring him forth on pretence of showing him whom he sought, I gave time for the emergence of Joseph and Celia, who presently came towards us in the churchyard, bending under dusty matting, a picture of thriving and unconscious industry. It would be superfluous to hint that I have ever since deemed this the proudest passage in my life.