C.D. Warner, et al., comp. The Library of the World’s Best Literature.
An Anthology in Thirty Volumes. 1917.
From The Nation
By Elisha Mulford (18331885)
I
The evidence of this continuity is in the consciousness of a people. It appears in the apprehension of the nation as an inheritance received from the fathers, to be transmitted unimpaired to the children. This conviction, that has held the nation as a heritage worth living and worth dying for, has inspired the devotion and sacrifice of a people.
The evidence of this continuity is also in the fact that the spirit of a people always contemplates it. The nation has never existed which placed a definite termination to its existence—a period when its order was to expire and the obligation to its law to cease. It cannot anticipate a time when it shall be resolved into its elements, but contends with the intensity of life against every force which threatens dissolution. Those who have represented the State as a compact, have yet held it to be a perpetual one, in which the children are bound by the acts of their fathers.
This continuity is the condition of the existence of the nation in history. The nation persists through a form of outward circumstance. Judea was the same under the judges and under the kings; Rome was the same under the kings and under the consuls. The elements of the being of the nation subsist in this continuity. In it, also, the products of human effort are conserved, and the law of human production conforms to it. The best attainments pass slowly from their germ to their perfectness, as in the growth of the language and the law, the arts and the literature of a people. Chaucer and Spenser, through intervals of slow advance, precede Shakespeare, as Giotto and Perugino lead the way to Michael Angelo and Raphael.
The nation is a continuity, as also in itself the product of succeeding generations. It transcends the achievement of a single individual or a separate age. The life of the individual is not its measure. In its fruition there is the work of the generations; and even in the moments of its existence, the expression of their spirit,—the blending of the strength of youth, the resolve of manhood, and the experience of age—the hope and the inspiration of the one, the wisdom and repose of the other. There is the spirit which is always young, and yet always full of years; and even in its physical course the correspondence to an always renewed life.
This continuity has found expression in the highest political thought. Shakespeare has it in his historical plays: the continuity of the nation is represented as existing through the years with the vicissitudes of the people, in the changes of scene, with the coming and going of men; and there is, as in the nation, the unity of the drama in which so many actors move, and whose events revolve from age to age; and thus these plays hold an attraction apart from the separate scenes and figures which present some isolated ideal for the poet to shape. Burke has represented this continuity in the nation as moving through generations, in a life which no speculative schemes and no legal formulas may compass: “The nation is indeed a partnership, but a partnership not only between those who are living, but between those who are living, those who are dead, and those who are to be born.”
T
There is no vague rhetoric, but a deep truth, in the words “Liberty and union, now and forever, one and inseparable.” They are worthy to live upon the lips of the people, for there can be no union without freedom, since slavery has its necessary result in the dissolution of the being of the nation; and there can be no freedom without union, for it is only in the being of the nation that freedom becomes real.
B