C.D. Warner, et al., comp.
The Library of the World’s Best Literature. An Anthology in Thirty Volumes. 1917.
George Sand (1804–1876)
Sand, George (Baronne Dudevant: born Amantine Lucile Aurore Dupin). The celebrated French novelist; born in Paris, July 2, 1804; died at Nohant, June 7, 1876. Her works include: ‘A Tourist’s Letters’ (1830–36); ‘Indiana’ (1831); ‘Valentine’ (1832); ‘Lélie’ (1833); ‘Aldo the Poet’ (1833); ‘The Private Secretary’ (1834); ‘André’ (1834); ‘Leone Leoni’ (1834); ‘Jacques’ (1834); ‘Mauprat’ (1836); ‘Simon’ (1836); ‘The Masters of Mosaic’ (1837); ‘The Last Aldini’ (1837); ‘Uscoque’ (1838); ‘A Winter at Majorca’ (1838); ‘Spiridion’ (1838); ‘Gabriel’ (1839); ‘The Seven Strings of the Lyre’ (1840); ‘The Mississippians’ (1840); ‘Pauline’ (1840); ‘Horace’ (1841); ‘The Companion of a French Tour’ (1841); ‘Consuelo’ (1842); ‘The Countess of Rudolstadt’ (1843); ‘Jeanne’ (1844); ‘Isidora’ (1845); ‘Teverino’ (1845); ‘The Miller of Angibault’ (1845); ‘The Devil’s Pool’ (1846); ‘M. Antoine’s Sin’ (1847); ‘Lucrezia Floriani’ (1847); ‘François le Champi’ (1847); ‘The Little Fadette’ (1849); ‘The Castle of Solitude’ (1849); ‘The Master Ringers’ (1853); ‘Story of My Life’ (1854); ‘Mont Revêche’ (1855); ‘The Devil in the Fields’ (1856); ‘She and He’ (1858); ‘The Green Ladies’ (1859); ‘Laura’ (1859); ‘The Snow Man’ (1859); ‘Jean de la Roche’ (1860); ‘Flavia’ (1860); ‘Valvedra’ (1861); ‘Tamaris’ (1861); ‘Antonia’ (1861); ‘The Germandre Family’ (1861); ‘The Fine Gentlemen of Bois-Doré’ (1862); ‘Mlle. de la Quintinie’ (1864); ‘A Young Girl’s Confession’ (1865); ‘Monsieur Sylvestre’ (1866); ‘The Last Love’ (1867); ‘Cadio’ (1868); ‘Mlle. Merquem’ (1868); ‘A Rolling Stone’ (1869); ‘Daniella’ (1869); ‘The Little Daughter’ (1869); ‘Narcissus’ (1870); ‘Village Walks’ (1870); ‘Loves of the Golden Age’ (1870); ‘Cesarine Dietrecht’ (1871); ‘Journal of a Tourist during the War’ (1871); ‘Mlle. de Cérignan’ (1871); etc. Her dramatic works include: ‘Cosima’ (1840); ‘The King Waits’ (1848); ‘François le Champi’ (1849); ‘Claudia’ (1851); ‘Victorine’s Marriage’ (1851); ‘The Demon of the Hearth’ (1852); ‘Molière’ (1853); ‘The Crusher’ (1853); ‘Mauprat’ (1853); ‘Flaminio’ (1854); ‘Master Favilla’ (1855); ‘Lucia’ (1855?); ‘As You Like It’ (1856); ‘Françoise’ (1856); ‘The Fine Gentlemen of Bois-Doré’ (1862); ‘The Pavement’ (1862); ‘The Marquis of Villemer’ (1863–64); ‘Drac’ (1864); ‘The Village Don Juan’ (1866); ‘Cadio’ (1868); etc. Many of these were founded on her novels. (See Critical and Biographical Introduction).