Homer.
fl. 850 B.C. |
Critical and Biographical Introduction by Thomas Day Seymour |
The Trojan Elders and Helen |
Paris, Hector, and Helen |
Hector to his Wife |
Father and Son |
Achilles Refuses to Aid the Greeks |
Hector Pursued by Achilles around Troy |
Hector’s Funeral Rites |
The Episode of Nausicaa |
The Homeric Hymns. |
Critical Introduction |
Origin of the Lyre |
Power of Aphrodite |
Dionysus and the Pirates |
Close of the Hymn to Delian Apollo |
Hymn to Demeter |
Thomas Hood.
1799–1845. |
Critical and Biographical Introduction by Lucia Gilbert Runkle |
Faithless Sally Brown |
An Ironic Requiem |
A Parental Ode to my Son, Aged Three Years and Five Months |
A Nocturnal Sketch |
Ruth |
Fair Ines |
A Song: for Music |
The Bridge of Sighs |
The Song of the Shirt |
Ode to Melancholy |
The Death-Bed |
I Remember, I Remember |
Stanzas |
Pieter Corneliszoon Hooft.
1581–1647. |
Critical and Biographical Introduction |
Anacreontic |
Theodore Hook.
1788–1841. |
Critical and Biographical Introduction |
The March of Intellect |
Horace.
65–8 B.C. |
Critical and Biographical Introduction by Harriet Waters Preston |
To Leuconoë |
To Thaliarchus |
To the Ship of State |
To Chloe |
To Virgil |
To Quintus Dellius |
Ad Amphoram |
To Phidyle |
An Invitation to Mæcenas |
Horrida Tempestas |
Satire |
Contentment |
Horace’s Farm |
To His Book |
The Art of Poetry |
Richard Henry Hengist Horne.
1802–1884. |
Critical and Biographical Introduction |
Morning |
Joseph Howe.
1804–1873. |
Critical and Biographical Introduction by Archibald MacMechan |
Oration on Shakespeare |
Julia Ward Howe.
1819–1910. |
Critical and Biographical Introduction |
Battle Hymn of the Republic |
Our Orders |
Pardon |
‘Hamlet’ at the Boston Theatre |
A New Sculptor |
William Dean Howells.
1837–1920. |
Critical and Biographical Introduction by Carl Van Doren |
The Bewildered Guest |
Hope |
Society |
Another Day |
A Midsummer-Day’s Dream |
The Street-Car Strike |
Arrival and First Days in Venice |
Thomas Hughes.
1822–1896. |
Critical and Biographical Introduction |
The Boat Race |
The Fight between Tom Brown and Williams |
Victor Hugo.
1802–1885. |
Critical and Biographical Introduction by Adolphe Cohn |
The Cities of the Plain |
The Sacking of the City |
Old Ocean |
Prayer |
My Thoughts of Ye |
Napoleon |
The Retreat from Moscow |
The Lions |
The Conspiracy |
The Chain-Gang for the Galleys |
The Combat with the Octopus |
Alexander von Humboldt.
1769–1859. |
Critical and Biographical Introduction |
The Beauty and Unity of Nature |
The Study of the Natural Sciences |
David Hume.
1711–1776. |
Critical and Biographical Introduction by Michael Andrew Mikkelsen |
Of Refinement in the Arts |
Leigh Hunt.
1784–1859. |
Critical and Biographical Introduction by Ernest Rhys |
Jaffár |
The Nile |
To Hampstead |
To the Grasshopper and the Cricket |
Abou Ben Adhem |
Rondeau |
The Old Lady |
The Old Gentleman |
Thomas Henry Huxley.
1825–1895. |
Critical and Biographical Introduction by Sir E. Ray Lankester |
On a Piece of Chalk |
Materialism and Idealism |
Evolution and Ethics |
On the Physical Basis of Life |
Westminster Abbey |
Joris-Karl Huysmans.
1848–1907. |
Critical and Biographical Introduction with Selections by Pierre Dareutiere de Bâcourt |
Ibn Sina (Avicenna).
980–1037. |
Critical and Biographical Introduction by Thomas Davidson |
Henrik Ibsen.
1828–1906. |
Critical and Biographical Introduction by William Henry Carpenter |
From ‘The Pretenders’ |
From ‘A Doll’s House’ |
From ‘Peer Gynt’ |
Icelandic Literature. |
The Sagas (Ninth to Thirteenth Centuries) by William Sharp |
Háconamál |
Karl Leberecht Immermann.
1796–1840. |
Critical and Biographical Introduction |
A Wedding and a Betrothal |
Indian Literature. |
Critical Introduction by Edward Washburn Hopkins |
Hymns of the Rig-Veda |
A Late Vedic Hymn to Starlit Night |
Vedic Hymn to the Twin Horsemen, the Açvins (Dioskuroi) |
A Late Vedic Hymn to Vāta, the Wind |
Burial Hymn (To Yama and the Dead) |
A Late Vedic Philosophical Hymn |
A Late Vedic Hymn of Creation |
A Late Vedic Mystic Hymn to Vāc (Speech, Logos) |
An Incantation |
Legend of the Flood |
Dialogue of Yājñavalkya and Māitreyī |
The Wisdom of Death |
Specimen of the [Dogmatic] Jain Literature |
Citations from Buddhistic Literature |
Conversation of the Herdsman Dhaniya and Buddha |
The Death of Buddha |
Epic Literature |
Specimen of the Didactic Poetry of the Mahābharata |
Specimen of the Rāmāyana |
Specimen of Fable Literature |
Specimen of Drama |
Extract from Kālidāsa’s ‘Çakuntalā’ |
Song from the Lyric Act of the ‘Vikramorvaçī’ |
Specimens of Lyric Poetry |
Specimens of the Religious-Erotic Lyric of the Twelfth Century |
Specimen of the Religious Poetry of the Modern Sects |
Jean Ingelow.
1820–1897. |
Critical and Biographical Introduction |
Divided |
Sand Martins |
The High Tide on the Coast of Lincolnshire |
Cold and Quiet |
Lettice White |
Bernhard Severin Ingemann.
1789–1862. |
Critical and Biographical Introduction |
Carl of Risé and the Kohlman |
Morning Song |
Robert Green Ingersoll.
1833–1899. |
Critical and Biographical Introduction by Roscoe Conkling Ensign Brown |
Decoration Day Oration |
The Music of Wagner |
Life |
Oration at a Child’s Grave |
The Irish Literary Renascence. |
Critical Introduction by Lloyd R. Morris |
Washington Irving.
1783–1859. |
Critical and Biographical Introduction by Edwin Wilson Morse |
The Good Old Days of Knickerbocker Life |
The Legend of Sleepy Hollow |
A Moorish Palace |
The Stage Coach |
Jorge Isaacs.
1837–1895. |
Critical and Biographical Introduction |
The Jaguar Hunt |
Helen Hunt Jackson.
1830–1885. |
Critical and Biographical Introduction |
Revenues |
Habeas Corpus |
My Hickory Fire |
Poppies in the Wheat |
Burnt Ships |
Spinning |
A May-Day in Albano |
Henry James.
1843–1916. |
Critical and Biographical Introduction by Stuart Pratt Sherman |
The Madonna of the Future |
The New Novel |
William James.
1842–1910. |
Critical and Biographical Introduction by Horace Meyer Kallen |
The Moral Equivalent of War |
Jāmī.
1414–1492. |
Critical and Biographical Introduction by A. V. Williams Jackson |
Love |
Beauty |
Zulīkhā’s First Dream |
Silent Sorrow |
Thomas Allibone Janvier.
1849–1913. |
Critical and Biographical Introduction |
The Episode of the Marques de Valdeflores |
Love Lane |
Japanese Literature. |
Critical Introduction by Clay MacCauley |
Archaic Writings |
Age of the Prose Classics |
Mediæval Literature |
Modern Literature under the Tokugawa Shōgunate |
Jacques Jasmin.
1798–1864. |
Critical and Biographical Introduction by Harriet Waters Preston |
A Simple Story |
The Siren with the Heart of Ice |
The Blind Girl of Castèl-Cuillè |
Jayadeva.
c. Twelfth Century. |
Critical and Biographical Introduction by A. V. Williams Jackson |
Rādhā and Krishna |
Jean Paul (J. P. F. Richter).
1763–1825. |
Critical and Biographical Introduction by Edward Payson Evans |
Extra Leaf on Consolation |
The New-Year’s Night of a Miserable Man |
From ‘First Flower Piece’ |
Aphorisms from Richter’s Works |
Richard Jefferies.
1848–1887. |
Critical and Biographical Introduction |
Hill Visions |
The Breeze on Beachy Head |
Thomas Jefferson.
1743–1826. |
Critical and Biographical Introduction by Paul Leicester Ford |
The Declaration of Independence |
On Fiction |
The Moral Influence of Slavery |
Letter to Mr. Hopkinson |
Letter to Dr. Styles |
Letter to James Madison |
Douglas William Jerrold.
1803–1857. |
Critical and Biographical Introduction |
The Tragedy of the Till |
Sarah Orne Jewett.
1849–1909. |
Critical and Biographical Introduction |
Miss Tempy’s Watchers |
The Brandon House |
Samuel Johnson.
1709–1784. |
Critical and Biographical Introduction by George Birkbeck Hill |
From ‘The Vanity of Human Wishes’ |
Letter to Lord Chesterfield as to the ‘Dictionary’ |
Dr. Johnson’s Last Letter to his Aged Mother |
From a Letter to his Friend Mr. Joseph Baretti, at Milan |
Dr. Johnson’s Farewell to his Mother’s Aged Servant |
Three Letters to James Boswell, Esq. |
To Mrs. Lucy Porter in Lichfield |
To Mr. Perkins |
From a Letter to James Boswell, Esq. |
To Mrs. Thrale |
A Private Prayer by Dr. Johnson |
Wealth |
Old Age and Death |
A Study of Milton’s ‘Paradise Lost’ |
Richard Malcolm Johnston.
1822–1898. |
Critical and Biographical Introduction |
The Early Majority of Mr. Thomas Watts |
Mór Jókai.
1825–1904. |
Critical and Biographical Introduction by Emil Reich |
The Landslide and the Train Wreck |
Ben Jonson.
1572–1637. |
Critical and Biographical Introduction by Barrett Wendell |
On Style |
On Shakespeare |
To the Memory of my Beloved Master, William Shakespeare |
From ‘Sejanus’ |
Soliloquy of Sejanus |
From ‘The Silent Woman’ |
Prologue from ‘Every Man in His Humour’ |
Song to Celia |
Song—That Women are but Men’s Shadows |
Song from ‘Volpone’ |
An Epitaph on Salathiel Pavy |
On my First Daughter |
From ‘Cynthia’s Revels’ |
The Noble Nature |
Josephus.
37–100. |
Critical and Biographical Introduction by Edwin Knox Mitchell |
Moses as a Legislator |
Solomon’s Wisdom |
Alexander’s Conquest of Palestine |
The Greek Version of the Hebrew Scriptures |
The Death of James, the Brother of our Lord |
Preface to the ‘Jewish Wars’ |
Agrippa’s Appeal to the Jews |
Josephus’s Surrender to the Romans |
The Destruction of the Temple at Jerusalem |
The Hebrew Faith, Worship, and Laws |
Origin of the Asamonean or Maccabæan Revolt |
Joseph Joubert.
1754–1824. |
Critical and Biographical Introduction by Thomas Wentworth Higginson |
Of Man |
Of the Nature of Minds |
Of Virtue and Morality |
Of the Family |
Of Education |
Of the Passions |
Of Society |
Of Different Ages |
Of Poetry |
Of Style |
Of the Qualities of the Writer |
Literary Judgments |
Sister Juana Inés de la Cruz.
1651–1695. |
Critical and Biographical Introduction by John Malone |
On the Contrarieties of Love |
Learning and Riches |
Death in Youth |
The Divine Narcissus |
Sylvester Judd.
1813–1853. |
Critical and Biographical Introduction |
The Snow-Storm |
Juvenal.
c. 55–127. |
Critical and Biographical Introduction by Thomas Bond Lindsay |
Umbricius’s Farewell to Rome |
Terrors of Conscience |
Parental Influence |
The Kabbalah. |
Critical Introduction by Samuel Augustus Binion |
The Kalevala. |
Critical Introduction by William Sharp |
The Proem |
The Passing of Wåinåmoinen |
Kālidāsa.
c. 4th Century. |
Critical and Biographical Introduction by A. V. Williams Jackson |
From the ‘Mālavikāgnimitra’ |
From the ‘Raghuvança’ |
From ‘Çakuntalā; or the Lost Ring’ |
From the ‘Meghadūta,’ or ‘Cloud Messenger’ |
Immanuel Kant.
1724–1804. |
Critical and Biographical Introduction by Josiah Royce |
A Comparison of the Beautiful with the Pleasant and the Good |
Of Reason in General |
How Is Metaphysics Possible as Science |
John Keats.
1795–1821. |
Critical and Biographical Introduction by Louise Imogen Guiney |
From ‘The Eve of St. Agnes’ |
From ‘Endymion’ |
From ‘Hyperion’ |
Ode to a Nightingale |
Ode on a Grecian Urn |
Fancy |
To Autumn |
La Belle Dame Sans Merci |
Sonnet: On First Looking into Chapman’s Homer |
Sonnet: On Seeing the Elgin Marbles |
Sonnet: Written on a Blank Page in Shakespeare’s Poems |
John Keble.
1792–1866. |
Critical and Biographical Introduction |
The Nightingale |
Christ in the Garden |
Morning |
Evening Hymn |
Gottfried Keller.
1819–1890. |
Critical and Biographical Introduction |
The Founding of a Family |
Omar Khayyám.
1048–1131. |
Critical and Biographical Introduction by Nathan Haskell Dole |
Rubáiyát |
Additional Rubáiyát |
Alexander Kielland.
1849–1906. |
Critical and Biographical Introduction |
At the Fair |
Grace Elizabeth King.
1852–1932. |
Critical and Biographical Introduction |
The Glorious Eighth of January |
Alexander William Kinglake.
1809–1891. |
Critical and Biographical Introduction |
The Desert |
The Charge of the Light Brigade |
Charles Kingsley.
1819–1875. |
Critical and Biographical Introduction |
The Merry Lark was Up and Singing |
The Dead Church |
The Sands of Dee |
Youth and Age |
A Myth |
Longings |
Andromeda and the Sea-nymphs |
A Farewell |
Waiting for the Armada |
A Puritan Crusader |
The Salmon River |
Rudyard Kipling.
1865–1936. |
Critical and Biographical Introduction |
Without Benefit of Clergy |
“Fuzzy-Wuzzy” |
Danny Deever |
Mandalay |
The Galley-Slave |
Heinrich von Kleist.
1777–1811. |
Critical and Biographical Introduction by Charles Harvey Genung |
Michael Kohlhaas |
Friedrich Gottlieb Klopstock.
1724–1803. |
Critical and Biographical Introduction by Kuno Francke |
The Rose-Wreath |
The Summer Night |
Hermann and Thusnelda |
The Two Muses |
Prophecy |
From ‘The Spring Festival’ |
To Young |
My Recovery |
The Choirs |
From ‘The Messiah’ |
The Koran. |
Critical Introduction by Henry Preserved Smith |
The Opening Chapter |
The Chapter of the Night |
The Chapter of the Dawn |
The Chapter of the Most High |
The Chapter of the Zodiacal Signs |
The Chapter of the Cleaving Asunder |
The Chapter of Those Sent |
The Chapter of the Ginn |
The Chapter of the Kingdom |
The Chapter of the Ant |
Karl Theodor Körner.
1791–1813. |
Critical and Biographical Introduction |
My Native Land |
Prayer during the Battle |
Summons |
Lützow’s Wild Chase |
Sword Song |
The Three Stars |
Zygmunt Krasiński.
1812–1859. |
Critical and Biographical Introduction |
Invocation to Poetry |
Pancras’s Monologue |
Count Henry’s Monologue |
Introduction to the last Act |
Aristocracy’s Last Stand |
The Triumph of Christianity |
Appeal to Poland |
Édouard René Lefebvre Laboulaye.
1811–1883. |
Critical and Biographical Introduction |
The Twelve Months |
The Story of Coquerico |
Jean de La Bruyère.
1645–1696. |
Critical and Biographical Introduction |
Of Fashion |
The Character of Cydias |
Madame de La Fayette.
1634–1693. |
Critical and Biographical Introduction |
Husband and Wife |
Jean de La Fontaine.
1621–1695. |
Critical and Biographical Introduction by George McLean Harper |
Death and the Woodcutter |
The Oak and the Reed |
The Grasshopper and the Ant |
The Wolf and the Dog |
The Two Doves |
The Cat, the Weasel, and the Young Rabbit |
The Cobbler and the Financier |
The Lark and the Farmer |
The Heron |
The Animals Sick of the Plague |
Selma Lagerlöf.
1858–1940. |
Critical and Biographical Introduction by Dorothy Brewster |
The Beggar |
A Christmas Guest |
Alphonse de Lamartine.
1790–1869. |
Critical and Biographical Introduction by Alcée Fortier |
The Fisherman’s Daughter |
To My Lamp |
Ode to the Lake of B—— |
Far from the World |
Charles Lamb.
1775–1834. |
Critical and Biographical Introduction by Alfred Ainger |
The Old Familiar Faces |
Hester |
On an Infant Dying as soon as Born |
In My Own Album |
Imperfect Sympathies |
Dream Children: A Revery |
A Quakers’ Meeting |
Mrs. Battle’s Opinions on Whist |
Félicité Robert de Lamennais.
1782–1854. |
Critical and Biographical Introduction by Grace Elizabeth King |
A Spiritual Allegory |
Chapters from ‘Words of a Believer’ |
Friedrich, Baron de La Motte-Fouqué.
1777–1843. |
Critical and Biographical Introduction |
The Marriage of Undine |
The Last Appearance of Undine |
Song from ‘Minstrel Love’ |
Archibald Lampman.
1861–1899. |
Critical and Biographical Introduction by James Cobourg Hodgins |
A Thunderstorm |
Winter Uplands |
At Dusk |
The Largest Life |
To a Millionaire |
Peccavi, Domine |
Heat |
Walter Savage Landor.
1775–1864. |
Critical and Biographical Introduction by William Cranston Lawton |
Imaginary Correspondence of Pericles and Aspasia |
The Sack of Carthage |
Godiva’s Plea |
A Dream Allegory |
Rose Aylmer |
Farewell to Italy |
Art Criticism |
Lines from ‘Gebir’ |
The Life of Flowers |
A Welcome to Death |
Farewell |
Andrew Lang.
1844–1912. |
Critical and Biographical Introduction |
From ‘A Bookman’s Purgatory’ |
From ‘Letter to Monsieur de Molière, Valet de Chambre du Roi’ |
Les Roses de Sâdi |
The Odyssey |
Sidney Lanier.
1842–1881. |
Critical and Biographical Introduction by Richard Burton |
A Ballad of Trees and the Master |
Song of the Chattahoochee |
Tampa Robins |
Evening Song |
Life and Song |
From ‘The Marshes of Glynn’ |
From the Flats |
A Song of the Future |
The Stirrup Cup |
François, duc de La Rochefoucauld.
1613–1680. |
Critical and Biographical Introduction |
Selected Maxims |
Selected Reflections |
Latin-American Literature.
I. Before 1888. |
Critical Introduction by Marathon Montrose Ramsey |
II. After 1888. |
Critical Introduction by Alfred Coester |
Sir Wilfrid Laurier.
1841–1919. |
Critical and Biographical Introduction by George McKinnon Wrong |
On the Use of the French Language in Canada |
On the Death of Gladstone |
On the Death of Queen Victoria |
Hersart de la Villemarqué.
1815–1895. |
The Heroic and Legendary Literature of Brittany
Critical and Biographical Introduction by William Sharp |
The Wine of the Gauls and the Dance of the Sword |
The Tribute of Noménoë |
The Foster-Brother |
Stephen Leacock.
1869–1944. |
Critical and Biographical Introduction by Bernard Keble Sandwell |
Boarding-House Geometry |
“Q.” A Psychic Pstory of the Psupernatural |
The Train for Mariposa |
William Edward Hartpole Lecky.
1838–1903. |
Critical and Biographical Introduction by John White Chadwick |
The Moral Influence of Gladiatorial Shows on the Roman People |
Systematic Charity as a Moral Outgrowth, Past and Present |
The Moral and Intellectual Differences between the Sexes |
Charles Marie René Leconte de Lisle.
1818–1894. |
Critical and Biographical Introduction |
The Manchy |
Pan |
The Bulls |
Richard Le Gallienne.
1866–1947. |
Critical and Biographical Introduction |
Dedication to ‘Prose Fancies’ |
A Seaport in the Moon |
Essay-Writing |
François Élie Jules Lemaître.
1853–1914. |
Critical and Biographical Introduction |
On the Influence of Recent Northern Literature |
Giacomo Leopardi.
1798–1837. |
Critical and Biographical Introduction by Katharine Hillard |
Sylvia |
Night-Song of a Wandering Asian Shepherd |
Alain René Lesage.
1688–1747. |
Critical and Biographical Introduction by Jane Grosvenor Cooke |
Gil Blas Enters the Service of Dr. Sangrado |
Gil Blas Becomes the Archbishop’s Favorite, and the Channel of All His Favors |
The Vintner’s Story |
Gotthold Ephraim Lessing.
1729–1781. |
Critical and Biographical Introduction by Edward Payson Evans |
Names |
Epigram |
Thunder |
Benefits |
On Mr. R—— |
From ‘Nathan the Wise’ |
On Love of Truth |
The Meaning of Heresy |
The Education of the Human Race |
The Differing Spheres of Poetry and Painting |
The Limitations of “Word-Painting” |
Lessing’s Estimate of Himself |
Charles Lever.
1806–1872. |
Critical and Biographical Introduction |
The Battle on the Douro |
George Henry Lewes.
1817–1878. |
Critical and Biographical Introduction |
Goethe and Schiller |
Robespierre in Paris, 1770 |
Jonas Lie.
1833–1908. |
Critical and Biographical Introduction |
Elizabeth’s Choice |
Detlev von Liliencron.
1844–1909. |
Critical and Biographical Introduction by Ludwig Lewisohn |
Who Knows Where |
After the Hunt |
From Childhood |
In a Winter Night |
Abraham Lincoln.
1809–1865. |
Critical and Biographical Introduction by Hamilton Wright Mabie |
The Perpetuation of our Political Institutions |
From His Speech at the Cooper Institute |
From the First Inaugural Address |
The Gettysburg Address |
The Second Inaugural Address |
Carl Linnaeus.
1707–1778. |
Critical and Biographical Introduction by John Muir |
Lapland Observations |
The Author Visits the Lapland Alps |
Livy.
59 B.C.–17 A.D. |
Critical and Biographical Introduction by William Cranston Lawton |
Horatius Cocles at the Sublician Bridge |
The Character of Hannibal |
The Battle of Lake Trasimene |
A Characteristic Episode of Classical Warfare |