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Home  »  library  »  poem  »  Scenes from the Tragedies: Cleopatra on the Cydnus

C.D. Warner, et al., comp. The Library of the World’s Best Literature.
An Anthology in Thirty Volumes. 1917.

Scenes from the Tragedies: Cleopatra on the Cydnus

By William Shakespeare (1564–1616)


ENOBARBUS—The barge she sat in, like a burnish’d throne,

Burn’d on the water. The poop was beaten gold;

Purple the sails, and so perfumed that

The winds were love-sick with them. The oars were silver,

Which to the tune of flutes kept stroke, and made

The water which they beat to follow faster,

As amorous of their strokes. For her own person,

It beggar’d all description: she did lie

In her pavilion—cloth-of-gold of tissue—

O’er-picturing that Venus where we see

The fancy outwork nature. On each side her

Stood pretty dimpled boys, like smiling Cupids,

With divers-color’d fans, whose wind did seem

To glow the delicate cheeks which they did cool,

And what they undid did.
Agrippa—O, rare for Antony!

Enobarbus—Her gentlewomen, like the Nereides,

So many mermaids, tended her i’ the eyes,

And made their bends adornings. At the helm

A seeming mermaid steers; the silken tackle

Swell with the touches of those flower-soft hands,

That yarely frame the office. From the barge

A strange invisible perfume hits the sense

Of the adjacent wharfs. The city cast

Her people out upon her; and Antony

Enthron’d i’ the market-place, did sit alone,

Whistling to the air, which, but for vacancy,

Had gone to gaze on Cleopatra too

And made a gap in nature.
Agrippa—Rare Egyptian!

Enobarbus—Upon her landing, Antony sent to her,

Invited her to supper. She replied,

It should be better he became her guest;

Which she entreated. Our courteous Antony,

Whom ne’er the word of “No” woman heard speak,

Being barber’d ten times o’er, goes to the feast,

And for his ordinary pays his heart

For what his eyes eat only.
Agrippa—Royal wench!

She made great Cæsar lay his sword to bed.

He plough’d her, and she cropp’d.
Enobarbus—I saw her once

Hop forty paces through the public street;

And having lost her breath, she spoke, and panted,

That she did make defect perfection,

And, breathless, power breathe forth.

Mæcenas—Now Antony must leave her utterly.

Enobarbus—Never; he will not.

Age cannot wither her, nor custom stale

Her infinite variety.