Harriet Monroe, ed. (1860–1936). The New Poetry: An Anthology. 1917.
Haunted ChambersConrad Aiken
T
The music changes tone, you wake, remember
Deep worlds you lived before, deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.
Joseph was dead, his wife and children starving;
Elaine was married and soon to have a child.
You dreamed last night of fiddler crabs with fiddles.
They played a buzzing melody, and you smiled.
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it’s opened we shall hear a music:
Or see a skeleton fall.
We climbed the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
You say: “This darkness, here, will slowly kill me—
It creeps and weighs upon me …. is full of bells.
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
‘Fatigue!’ it says—and points its finger at me;
Touches my throat and stops my breath.
The torn certificate for my daughter’s grave—
These are but mortal seconds in immortal time.
They brush me, fade away—like drops of water.
They signify no crime.
Nothing is here I could not frankly tell you—
No hint of guilt, or faithlessness, or threat.
Dreams—they are madness; staring eyes—illusion.
Let us return, hear music, and forget.”