Harriet Monroe, ed. (1860–1936). The New Poetry: An Anthology. 1917.
The TreesEloise Robinson
T
So close they stand, and still,
No yellow sunlight seeps through their shingled leaves
And drips down on the sill.
Beech with the mist on his flanks,
Pine whose old voice is a muffled bell,
Gaunt, wan-bodied poplar
That has a bitter smell,
Tapping elm and oak-tree—
They stoop and peer within
By the side of the twisted apple-tree,
His grey hands under his chin.
They do nothing but peer and haunt through the windows
That are dead as the eyes of the drowned;
And listen until their silence
Makes a strangeness all around.
Then suddenly they quiver and shake at the wind
Their arms that are furrowed as river sands,
And whisper “Did you see?” to one another
And beckon to one another with their hands;
And they laugh a hungry laughter
There is no one understands.
As quiet as grey lichens creep,
And pick at the catches with their fingers—
How they can get in, and peep
To see their own shadows thronging
The quiet house of sleep.
Yes, they look in at their own shadows
Stealing up by the stair
To the closed doors of the chambers
And listening there.
They watch how their shadows with pulseless fingers
Noiselessly push and strain,
And beat their breasts on the dark panels
To open them, in vain;
And how the thin moonlight trickles round them
Creeping down by the banisters again.