Harriet Monroe, ed. (1860–1936). The New Poetry: An Anthology. 1917.
MauraMarjorie Allen Seiffert
The warm winds touch the bands
That hold her hair;
The call of a silver horn floats by;
A lover tosses flowers into her hands.
She joins the maidens in their dance,
Her limbs follow slow rhythms;
A lover leads her into the shade—
She moves as in a trance.
Troubles her dream?
What passionate caress
Disturbs her spirit’s rapt seclusion?
Is lover-earth! Like a sleeping bird
She gives herself….. Then suddenly
She is a leaf whirled in the storm.
Her soul, unstirred,
Dead,
Or sleeping,
Through the blind tumult hears afar
The note of a horn like a silver thread.
She has given her soul to an echo’s keeping.
Winding his horn?
Maura, who heard it in her dream,
Wakens forlorn,
Too late to catch the tenuous thread
Of silver sound
Which in the intricate, troubled fugue of earth
Is drowned.
Her youth is land-locked as a hidden pool
Where thirsty love drinks deep—
A shining pool where lingers
The color of an unseen golden sky,
A pool where echoes fall asleep:
Until small restless fingers
Trouble the waters cool,
Snatch at reflected beauty, and destroy
The mirrored dream….. The pool is never still
And broken echoes die.
The gentleness of earth,
The simple mysteries of sleep and death,
Of love and birth…..
There are faces hungry for smiles, and starving fingers
Reaching for dreams.
And the wide melody of evening sky
Where gleams
A color like the echo of a horn.
There is a far hill where winds die,
And over the hill lies music yet unborn.
The body she gave to child and lover
Now feeds flower and tree.
Offers such gentle sleeping?
Her limbs lie peacefully.
Comes down a note like the echoing cry
Of one who rides through the dusk alone
After the hunt sweeps by.
Music is still:
But Maura has followed the silver horn
Over the distant hill,
Over the hill where all winds die.