Henry Wadsworth Longfellow, ed. Poems of Places: An Anthology in 31 Volumes.
Italy: Vols. XI–XIII. 1876–79.
Grotto of Egeria
By Lord Byron (17881824)E
Which found no mortal resting-place so fair
As thine ideal breast; whate’er thou art
Or wert,—a young Aurora of the air,
The nympholepsy of some fond despair;
Or, it might be, a beauty of the earth,
Who found a more than common votary there
Too much adoring,—whatsoe’er thy birth,
Thou wert a beautiful thought, and softly bodied forth.
With thine Elysian water-drops: the face
Of thy cave-guarded spring, with years unwrinkled,
Reflects the meek-eyed genius of the place,
Whose green, wild margin now no more erase
Art’s works; nor must the delicate waters sleep,
Prisoned in marble, bubbling from the base
Of the cleft statue, with a gentle leap
The rill runs o’er, and round, fern, flowers, and ivy creep,
Are clothed with early blossoms, through the grass
The quick-eyed lizard rustles, and the bills
Of summer birds sing welcome as ye pass;
Flowers fresh in hue, and many in their class,
Implore the pausing step, and with their dyes
Dance in the soft breeze in a fairy mass;
The sweetness of the violet’s deep blue eyes,
Kissed by the breath of heaven, seems colored by its skies.
Egeria! thy all-heavenly bosom beating
For the far footsteps of thy mortal lover;
The purple midnight veiled that mystic meeting
With her most starry canopy, and, seating
Thyself by thine adorer, what befell?
This cave was surely shaped out for the greeting
Of an enamored goddess, and the cell
Haunted by holy love,—the earliest oracle!