C.D. Warner, et al., comp. The Library of the World’s Best Literature.
An Anthology in Thirty Volumes. 1917.
The Book of Songs, Hymns, and Lyrics
| The Old Continentals by Guy Humphrey McMaster (1829–1887) |
| The Hadley Weathercock by Julia Taft Bayne (1845–1933) |
| Just a Multitude of Curls by Cora Fabbri (1871–1892) |
| The Rose of Kenmare by Alfred Perceval Graves (1846–1931) |
| Irish Lullaby by Alfred Perceval Graves (1846–1931) |
| The Nut-Brown Maid—Author Unknown |
| Pilgrimage by Sir Walter Raleigh (1554?–1618) |
| Love will Find Out the Way—Author Unknown |
| Love Me Little, Love Me Long—Author Unknown |
| The Shan Van Vocht—Street Ballad |
| A Death-Bed by James Aldrich (1810–1856) |
| On a Quiet Life by Avienus (4th Century) |
| The Blue and the Gray by Francis Miles Finch (1827–1907) |
| Abraham Lincoln by Tom Taylor (1817–1880) |
| A Mirror by Susan Marr Spalding (1841–1908) |
| The Day After the Betrothal by Eva L. Ogden Lambert |
| Twickenham Ferry by Théophile Marzials (1850–1920) |
| Dollie by Samuel Minturn Peck (1854–1938) |
| Dorothy by Charles Henry Phelps (1853–1933) |
| Renouncement by Alice Meynell (1847–1922) |
| The Witch in the Glass by Sarah Morgan Bryan Piatt (1836–1919) |
| If I Could Only Write by Ramón de Campoamor (1817–1901) |
| Love and Youth by William James Linton (1812–1897) |
| How to Love by Elizabeth (Bessie) Chandler Parker (b. 1856) |
| In the Dark, in the Dew by Mary Newmarch Prescott (1849–1888) |
| Bird Song from ‘Alexander and Campaspe’ by John Lyly (1555?–1606) |
| Song to Gabrielle by King Henry IV. of France (1553–1610) (attributed) |
| Nelly of the Top-Knots by Douglas Hyde (1860–1949) |
| The Sea-Fowler by Mary Howitt (1799–1888) |
| Pack, Clouds, Away by Thomas Heywood (c. 1570–1641) |
| Annie Laurie by William Douglas of Kirkcudbright (1672?–1748) |
| The Poor Clerk—Mediæval Breton |
| Cupid’s Curse by George Peele (1556–1596) |
| The Avaricious Shepherdess by Charles Rivière Dufresny (1657–1724) |
| An Unmarked Festival by Alice Meynell (1847–1922) |
| A Song of Life by Anne Reeve Aldrich (1866–1892) |
| Disappointment by Maria Gowen Brooks (Maria del Occidente) (1794?–1845) |
| Fate by Susan Marr Spalding (1841–1908) |
| Lament of the Irish Emigrant by Helen Selina, Lady Dufferin Sheridan (1807–1867) |
| The Revel by Bartholomew Dowling (1823–1863) |
| From ‘The Old Church-Yard of Bonchurch’ by Philip Bourke Marston (1850–1887) |
| His Footsteps by Henry Augustin Beers (1847–1926) |
| The Indian’s Death Song by Anne Hunter (1742–1821) |
| The Place to Die by Michael Joseph Barry (1817–1889) |
| If I Should Die To-night by Arabella (Belle) Eugenie Smith (1844–1916) |
| A Little While by Horatius Bonar (1808–1889) |
| When We Are All Asleep by Robert Buchanan (1841–1901) |
| The Mistletoe Bough by Thomas Haynes Bayly (1797–1839) |
| André’s Ride by Augustus Henry Beesly (1839–1909) |
| Auld Robin Gray by Lady Anne (Lindsay) Barnard (1750–1825) |
| Werena My Heart Licht by Lady Grisel Baillie (1665–1746) |
| To Nell Gwynne’s Looking-Glass by Laman Blanchard (1803–1845) |
| From the ‘Ode to Malibran’ by Alfred de Musset (1810–1857) |
| The Earth and Man by Stopford Augustus Brooke (1832–1916) |
| The Strange Country by Robert Buchanan (1841–1901) |
| Flower of the World by Robert Buchanan (1841–1901) |
| Love Still Hath Something by Sir Charles Sedley (1639–1701) |
| Horizons by Frances Louisa Bushnell (1834–1899) |
| The Second Place by Susan Marr Spalding (1841–1908) |
| Oh, Why Should the Spirit of Mortal Be Proud? by William Knox (1789–1825) |
| My Dear and Only Love by James Graham, Marquis of Montrose (1612–1650) |
| The Wearing of the Green by Dion Boucicault (1820/22–1890) |
| The Burial of Sir John Moore by Charles Wolfe (1791–1823) |
| Arnold Winkelried by James Montgomery (1771–1854) |
| Little Bell by Thomas Westwood (1814–1888) |
| An Experience and a Moral by Frederick Swartwout Cozzens (1818–1869) |
| How Persimmons Took Care ob der Baby by Elizabeth Williams Champney (1850–1922) |
| Whilst Thee I Seek by Helen Maria Williams (1762–1827) |
| Ships at Sea by Robert Barry Coffin (“Barry Gray”) (1826–1886) |
| Home, Sweet Home by John Howard Payne (1791–1852) |
| A Life on the Ocean Wave by Epes Sargent (1813–1880) |
| The Wanderer by William Canton (1845–1926) |
| Hesperus Sings by Thomas Lovell Beddoes (1803–1849) |
| The Oaten Pipe by Mary Newmarch Prescott (1849–1888) |
| Over the River by Nancy Amelia Woodbury Priest Wakefield (1836–1870) |
| Our Mother by Adeline Dutton Train Whitney (1824–1906) |
| Ben Bolt by Thomas Dunn English (1819–1902) |
| The Old Oaken Bucket by Samuel Woodworth (1784–1842) |
| The Brave Old Oak by Henry Fothergill Chorley (1808–1872) |
| Woodman, Spart That Tree! by George Pope Morris (1802–1864) |
| The Old Arm-Chair by Eliza Cook (1818–1889) |
| Song of Steam by George Washington Cutter (1801?–1865) |
| Tubal Cain by Charles Mackay (1814–1889) |
| Differences by Charles Mackay (1814–1889) |
| Stonewall Jackson’s Way by John Williamson Palmer (1825–1906) |
| The Cause of the South by Abram Joseph Ryan (1838–1886) |
| The Auld Stuarts Back Again—Anonymous |
| The Heath-Cock by William Nicholson |
| What’s A’ the Steer, Kimmer? by Robert Allan (1774–1841) |
| Wae’s Me for Prince Charlie! by William Glen (1789–1826) |
| The Weaving of the Tartan by Alice Clare MacDonell |
| Muckle-Mou’d Meg by James Ballantine (1808–1877) |
| Ye Gentlemen of England by Martin Parker (d. 1656?) |
| Hands all Round by Alfred, Lord Tennyson (1809–1892) |
| Recessional by Rudyard Kipling (1865–1936) |
| The Star-Spangled Banner by Francis Scott Key (1779–1843) |
| The Marseillaise by Claude Joseph Rouget de Lisle (1760–1836) |
| The Departure for Syria by Alexandre, Comte de Laborde (1773–1842) |
| The Watch on the Rhine by Max Schneckenburger (1819–1849) |
| A Cinque Port by John Davidson (1857–1909) |
| April in Ireland by Nora Hopper Chesson (1871–1906) |
| Adieu for Evermore—Author Unknown |
| Willy Reilly—Ulster Ballad |
| There’s Nae Luck About the House by Jean Adam (1704–1765) |
| “It’s Hame, and It’s Hame” by Allan Cunningham (1784–1842) |
| Its Ain Drap o’ Dew by James Ballantine (1808–1877) |
| Mine Own Work by Anne Reeve Aldrich (1866–1892) |
| Departure by William Cranston Lawton (1853–1941) |
| Life by William Cranston Lawton (1853–1941) |
| The Closing Doors by Fiona MacLeod (William Sharp) (1855–1905) |
| A Rhyme of Death’s Inn by Lizette Woodworth Reese (1856–1935) |
| After the Ball by Nora Perry (1831–1896) |
| My Child by John Pierpont (1785–1866) |
| Are the Children at Home? by Margaret Elizabeth Sangster (1838–1912) |
| Little Boy by William Bell Scott (1811–1890) |
| Mo Cáilin Donn by George Sigerson (1836–1925) |
| Unto the Least of These Little Ones by Amélie Rives Troubetzkoy (1863–1945) |
| Tired Mothers by May Riley Smith (1842?–1927) |
| The Bedouin-Child by Theodore Watts-Dunton (1832–1914) |
| A Burmese Parable by Frances Laughton Mace (1836–1899) |
| Lullaby by Fiona MacLeod (William Sharp) (1855–1905) |
| An Order for a Picture by Alice Cary (1820–1871) |
| Rachel by Lizette Woodworth Reese (1856–1935) |
| The Dead Mother by Robert Buchanan (1841–1901) |
| Little Willie by Gerald Massey (1828–1907) |
| The Apparition by Stephen Phillips (1868–1915) |
| The Other One by Harry Thurston Peck (1856–1914) |
| In Usum Delphini by George Meason Whicher (1860–1937) |
| The Woodside Way by Ethelwyn Wetherald (1857–1940) |
| The Two Locks of Hair by Gustav Pfizer (1807–1890) |
| The Bramble Flower by Ebenezer Elliott (1781–1849) |
| Begone, Dull Care—Author Unknown |
| There Was a Jolly Miller by Isaac Bickerstaff (1735–1812?) |
| Vanitas! Vanitatum Vanitas! by Johann Wolfgang von Goethe (1749–1832) |
| Death an Epicurean by Jean Wright |
| Sir John Barleycorn—Author Unknown |
| Sparkling and Bright by Charles Fenno Hoffman (1806–1884) |
| Wassail Chorus by Theodore Watts-Dunton (1832–1914) |
| Time’s A-flying (Lauriger Horatius)—Mediæval Latin Student Songs |
| Gaudeamus Igitur—Mediæval Latin Student Songs |
| A Citizen of Cosmopolis by Elizabeth Pullen |
| The Trooper to His Mare by Charles Graham Halpine (1829–1868) |
| The Ballad of the Boat by Richard Garnett (1835–1906) |
| The Cross by the Way—Mediæval Breton |
| The Fairy Queen—Author Unknown |
| The Fairy Queen Sleeping by Letitia Elizabeth Landon (1802–1838) |
| The Merry Pranks of Robin Good-Fellow—Author Unknown |
| The Fairy Nurse by Edward Walsh (1805–1850) |
| Song of the Fairy Peddler by George Darley (1795–1846) |
| Song of the Fairies by John Lyly (1555?–1606) |
| The Flower of Beauty by George Darley (1795–1846) |
| Serenade by Nathan Field (1587–1620?) |
| Faithful Friends by Richard Barnfield (1574–1627) |
| The Nightingale by Richard Barnfield (1574–1627) |
| Critic and Poet by Emma Lazarus (1849–1887) |
| Ellen Terry’s Beatrice by Helen Gray Cone (1859–1934) |
| A Volume of Dante by Caroline Wilder Fellowes Paradise (1862–1904) |
| The Lady Poverty—Author Unknown |
| The Maiden and the Lily by John Fraser (1750–1811) |
| The Blackbird’s Song by Henry Kingsley (1830–1876) |
| In Springtide by Sir Lewis Morris (1833–1907) |
| A Spring Trouble by William Macdonald |
| The Song of Spring by Gil Vicente (c. 1470–c. 1536) |
| April Weather by Lizette Woodworth Reese (1856–1935) |
| Asian Birds by Robert Bridges (1844–1930) |
| Before and After the Flower-Birth by Philip Bourke Marston (1850–1887) |
| Evening Song by John Vance Cheney (1848–1922) |
| Benedicite by Anna Callender Brackett (1836–1911) |
| ’Tween Earth and Sky by Augusta Webster (1837–1894) |
| Song of Summer by Thomas Nashe (1567–1601) |
| A Summer Song by Ulrich von Liechtenstein (1200–1275/6) |
| The Bather by Mary Ashley Townsend (1836–1901) |
| The Haymakers’ Song by Alfred Austin (1835–1913) |
| September by Susan Frances Harrison (“Seranus”) (1859–1935) |
| Indian Summer by Alice Wellington Rollins (1847–1897) |
| Indian Summer by Emily Dickinson (1830–1886) |
| November in the South by Walter Malone (1866–1915) |
| The Night Before Christmas by Clement Clarke Moore (1779–1863) |
| The Frost by Hannah Flagg Gould (1789–1865) |
| The Root’s Dream by Richard Kendall Munkittrick (1853–1911) |
| Wild Honey by Maurice Thompson (1844–1901) |
| The Waking of the Lark by Eric Mackay (1851–1898) |
| To the Lark by Dafydd ap Gwilym (fl. Fourteenth Century) |
| Meadow-Larks by Ina Donna Coolbrith (1841–1928) |
| Morning Song by Sir William Davenant (1606–1668) |
| The O’Lincon Family by Wilson Flagg (1805–1884) |
| To the Wood-Robin by John Banister Tabb (1845–1909) |
| The Thrush’s Song by William MacGillivray (1796–1852) |
| The Song of the Thrush by Rhys Goch ap Rhiccert |
| The Service of Song by Emily Dickinson (1830–1886) |
| Early Spring by Anna Callender Brackett (1836–1911) |
| To a Daisy by John Hartley (1839–1915) |
| Bacchus by Frank Dempster Sherman (1860–1916) |
| Spring by Thomas Nashe (1567–1601) |
| The Apple-Tree by Julia C. R. Dorr (1825–1913) |
| The House of the Trees by Ethelwyn Wetherald (1857–1940) |
| In Green Old Gardens by Mary M. Singleton (‘Violet Fane’) (1843–1905) |
| A Benedictine Garden by Alice Brown (1857–1948) |
| The Blackberry Farm by John James Piatt (1835–1917) |
| From ‘Thoreau: In Memoriam’ by Henry Ames Blood (1836–1900) |
| The South by Emma Lazarus (1849–1887) |
| Respite by Ina Donna Coolbrith (1841–1928) |
| When the World is Burning by Ebenezer Jones (1820–1860) |
| The Tryst of the Night by Mary Clarissa (May) Gillington Byron (1861–1936) |
| The Golden Sunset by Samuel Longfellow (1819–1892) |
| The Flight of the Crows by Emily Pauline Johnson (1861–1913) |
| The Northern Lights by Guy Humphrey McMaster (1829–1887) |
| The Tornado by Charles de Kay (1848–1935) |
| The River Charles by Annie Adams Fields (1834–1915) |
| Orara by Henry Kendall (1839–1882) |
| To Seneca Lake by James Gates Percival (1795–1856) |
| Sea Witchery by Richard Burton (1861–1940) |
| With a Nantucket Shell by Charles Henry Webb (1834–1905) |
| Songs of the Sea by Charles Godfrey Leland (1824–1903) |
| The Rock and the Sea by Charlotte Perkins Gilman (1860–1935) |
| The Hungry Sea by Frances Freeling Broderip (1830–1878) |
| Drift by George Arnold (1834–1865) |
| London by John Davidson (1857–1909) |
| In the Docks by Louise Imogen Guiney (1861–1920) |
| The Mountaineer by “A. E.” (George William Russell) (1867–1935) |
| The Settler by Alfred Billings Street (1811–1881) |
| The Winter Pine by Charles Wellington Stone (1853–1927) |
| The Virginians of the Valley by Francis Orrery Ticknor (1822–1874) |
| My Maryland by James Ryder Randall (1839–1908) |
| The Great Bell Roland by Theodore Tilton (1835–1907) |
| The Draft Riot by Charles de Kay (1848–1935) |
| Civil War by Charles Dawson Shanly (1811–1875) |
| At the Breach by Sarah Williams (1837–1868) |
| Music in Camp by John Randolph Thompson (1823–1873) |
| The Bivouac of the Dead by Theodore O’Hara (1820–1867) |
| The Kearsarge by James Jeffrey Roche (1847–1908) |
| Monterey by Charles Fenno Hoffman (1806–1884) |
| The Midnight Review by Joseph Christian Freiherr von Zedlitz (1790–1862) |
| The Private of the Buffs by Sir Francis Hastings Doyle (1810–1888) |
| Riding Together by William Morris (1834–1896) |
| Antony and Cleopatra by William Haines Lytle (1826–1863) |
| The Crowing of the Red Cock by Emma Lazarus (1849–1887) |
| Loyalist Lays by George Walter Thornbury (1828–1876) |
| The Cavalier’s Escape by George Walter Thornbury (1828–1876) |
| The Three Scars by George Walter Thornbury (1828–1876) |
| The White Rose Over the Water by George Walter Thornbury (1828–1876) |
| The Jacobites’ Club by George Walter Thornbury (1828–1876) |
| Curfew Must Not Ring To-night by Rose Hartwick Thorpe (1850–1939) |
| The Song of the Western Men by Robert Stephen Hawker (1803–1875) |
| The Song of Hatred by Georg Herwegh (1817–1875) |
| To Lucasta, on Going to the Wars by Richard Lovelace (1618–1658) |
| “If Doughty Deeds” by Robert Graham of Gartmore (1735–1797) |
| A Spinning Song by John Francis O’Donnell (1837–1874) |
| Love’s Without Reason by Alexander Brome (1620–1666) |
| To Althea by Richard Lovelace (1618–1658) |
| Amynta by Sir Gilbert Elliot (1722–1777) |
| Vision of a Fair Woman—Ancient Erse |
| The Song of Ethlenn Stuart by Fiona MacLeod (William Sharp) (1855–1905) |
| Unnumbered by Thomas Lovell Beddoes (1803–1849) |
| Molly Asthore by Sir Samuel Ferguson (1810–1886) |
| Kathleen Mavourneen by Louisa McCartney Crawford (1790–1858) |
| Wave-Won by Emily Pauline Johnson (1861–1913) |
| When Did We Meet? by Elaine Goodale Eastman (1863–1953) |
| Song to Aithne by Ian Cameron (Ian Mór) |
| Gracie Og Machree by John Keegan Casey (1846–1870) |
| Robin Adair by Lady Caroline Keppel (c. 1734–1769) |
| Wishes for the Supposed Mistress by Richard Crashaw (c. 1613–1649) |
| Amaturus by William Johnson Cory (1823–1892) |
| Tell Me, My Heart, if This Be Love by George, Lord Lyttelton (1709–1773) |
| Fair Helen—Author Unknown |
| Sally in Our Alley by Henry Carey (1687?–1743) |
| Shepherd’s Song by Thomas Heywood (c. 1570–1641) |
| A Madrigal by John Wilbye (1574–1638) |
| Metempsychosis by Duffield Osborne (1858–1917) |
| An Opal by Ednah Proctor Clarke Hayes |
| Hold, Poets! by Richard S. Spofford |
| Panglory’s Wooing Song by Giles Fletcher (1586?–1623) |
| Love in the Valley by George Meredith (1828–1909) |
| Sing Again by Marie Louise Van Vorst (1867–1936) |
| What My Lover Said by Homer Greene (1853–1940) |
| Two Dreams by Henry Willard Austin (1858–1912) |
| June in London by Norman Gale (1862–1942) |
| To Phillis—Author Unknown |
| Winifreda—Author Unknown |
| Priscilla by Samuel Minturn Peck (1854–1938) |
| Pepita by Frank Dempster Sherman (1860–1916) |
| The Witch by Gottfried August Bürger (1747–1794) |
| I Wonder by Cora Fabbri (1871–1892) |
| A Twelfth-Century Lyric—Author Unknown |
| A Nineteenth-Century Lyric—Author Unknown |
| A Modern Psyche by Eliza Calvert Hall (1856–1935) |
| Phillida Flouts Me—Author Unknown |
| To His Coy Mistress by Andrew Marvell (1621–1678) |
| All on One Side by Harry Romaine |
| Delay by Frances Louisa Bushnell (1834–1899) |
| Song Written at Sea by Charles Sackville, Earl of Dorset (1638–1706) |
| Glee by T. M. Dovaston |
| The White Rose—Author Unknown |
| My Love in Her Attire Doth Shew Her Wit—Author Unknown |
| Whenas in Silks My Julia Goes by Robert Herrick (1591–1674) |
| The Time o’ Day by Albion Fellows Bacon (1865–1933) |
| Defiance by Annie Adams Fields (1834–1915) |
| If Love Were Not by Florence Earle Coates (1850–1927) |
| Praise of Little Women by Juan Ruiz (active 1343) |
| The Heart of a Song by George Parsons Lathrop (1851–1898) |
| “Bring Me Word How Tall She Is” by Dora Greenwell (1821–1882) |
| Under the King by Ethelwyn Wetherald (1857–1940) |
| Light by Francis William Bourdillon (1852–1921) |
| “A Thousand Years in Thy Sight Are but as One Day” by Annie Adams Fields (1834–1915) |
| For a November Birthday by George Meason Whicher (1860–1937) |
| The Surface and the Depths by Sir Lewis Morris (1833–1907) |
| Love Bringeth Life by Caroline Wilder Fellowes Paradise (1862–1904) |
| The Power of Beauty by James Herbert Morse (1841–1923) |
| A Dancer by Ernest McGaffey (b. 1861) |
| The Longing of Circe by Cameron Mann (1851–1932) |
| Circe by Augusta Webster (1837–1894) |
| A Forecast by Archibald Lampman (1861–1899) |
| Cross of Gold by David Gray (1836–1888) |
| The Web by Cora Fabbri (1871–1892) |
| Doubt—Author Unknown |
| Two Robbers by Francis William Bourdillon (1852–1921) |
| Love and Death by Margaret Deland (1857–1945) |
| The Maid of Neidpath by Sir Walter Scott (1771–1832) |
| Madrigal Triste by John Payne (1842–1916) |
| Parting of Godfrid and Olympia by Alfred Austin (1835–1913) |
| The Lady Blanche by Alexander Smith (1830–1867) |
| The King of Denmark’s Ride by Caroline Elizabeth Sarah (Sheridan) Norton (1808–1877) |
| Hannah Binding Shoes by Lucy Larcom (1826–1893) |
| Eily Considine by Robert William Chambers (1865–1933) |
| The Bridal of Andalla—Author Unknown |
| Rivals by Virginia Peyton Fauntleroy |
| Carmen by Madison Cawein (1865–1914) |
| À Outrance by Robert Cameron Rogers (1862–1912) |
| A Conquest by Walter Herries Pollock (1850–1926) |
| Ballad of a Bridal by Edith (Nesbit) Bland (1858–1924) |
| Her Creed by Sarah Knowles Bolton (1841–1916) |
| A Saint of Yore by John Vance Cheney (1848–1922) |
| Within by Anna Callender Brackett (1836–1911) |
| Doris: A Pastoral by Arthur Joseph Munby (1828–1910) |
| A Tragedy by Edith (Nesbit) Bland (1858–1924) |
| Hermione by Robert Buchanan (1841–1901) |
| Betsey and I Are Out by Will Carleton (1845–1912) |
| How Betsey and I Made Up by Will Carleton (1845–1912) |
| When My Cousin Comes to Town by W. P. Bourke |
| Miss Flora M’Flimsey by William Allen Butler (1825–1902) |
| A Threnody by George Thomas Lanigan (1845–1886) |
| Old Grimes by Albert Gorton Greene (1802–1868) |
| Narcissus in Camden by Helen Gray Cone (1859–1934) |
| Rhyme of the Rail by John Godfrey Saxe (1816–1887) |
| The Sea by Eva L. Ogden |
| From ‘Christmas Night in the Quarters’ by Irwin Russell (1853–1879) |
| The V-A-S-E by James Jeffrey Roche (1847–1908) |
| The Poster Knight to His Lady by Schuyler King |
| Hans Breitmann’s Party by Charles Godfrey Leland (1824–1903) |
| The Protest by Georg Herwegh (1817–1875) |
| Nebuchadnezzar by Irwin Russell (1853–1879) |
| Old Assyrian by Joseph Viktor von Scheffel (1826–1886) |
| The Vicar of Bray—Author Unknown |
| St. Anthony’s Sermon to the Fishes—Author Unknown |
| The Three Warnings by Hester Lynch Thrale Piozzi (1741–1821) |
| The Ladye Love by George Montgomery Davie (1848–1900) |
| Cages and Rhymes by Karl Knortz (1841–1918) |
| Larks and Nightingales by Nathan Haskell Dole (1852–1935) |
| Lapsus Calami by James Kenneth Stephen (1859–1892) |
| The Crystal Fountain—From Punch |
| The Strasburg Clock—Author Unknown |
| To “Prowl,” My Cat by “C. K. B.” in London Spectator |
| Fohi’s Retribution by Joel Benton (1832–1911) |
| Bruce and the Spider by Bernard Barton (1784–1849) |
| The Wants of Man by John Quincy Adams (1767–1848) |
| After the Play by Burton Egbert Stevenson (1872–1962) |
| The Clown’s Song—Author Unknown |
| The Fools’ Waltz by Helen Thayer Hutcheson (1860–1886) |
| A Smiling Demon of Notre Dame by Sophie Jewett (Ellen Burroughs) (1861–1909) |
| After Wings by Sarah Morgan Bryan Piatt (1836–1919) |
| Contrasts by Richard Burton (1861–1940) |
| Dream-Peddlery by Thomas Lovell Beddoes (1803–1849) |
| Alien by William Carman Roberts (1874–1941) |
| Cinderella by Dora Read Goodale (1866–1953) |
| A Woman’s Wish by Mary Ashley Townsend (1836–1901) |
| Out of Doors by Ethelwyn Wetherald (1857–1940) |
| Why Thus Longing? by Harriet Winslow Sewall (1819–1889) |
| Longing by Anne Charlotte Lynch Botta (1815–1891) |
| An Antique Intaglio by Susan Marr Spalding (1841–1908) |
| Carcassonne by Gustave Nadaud (1820–1893) |
| A Radical by Helen Gray Cone (1859–1934) |
| From ‘Dunstan; or the Politician’ by Robert Buchanan (1841–1901) |
| Duty by Ellen Sturgis Hooper (1812–1848) |
| A Discovery by Menella Bute Smedley (1820–1877) |
| Combatants by Florence Earle Coates (1850–1927) |
| To-day by Helen Gray Cone (1859–1934) |
| Unknown Ideal by Dora Sigerson Shorter (1866–1918) |
| The Silence by Emile Verhaeren (1855–1916) |
| The Helmsman by Mark Antony De Wolfe Howe (1864–1960) |
| Sealed Orders by Julia C. R. Dorr (1825–1913) |
| The Star to its Light by George Parsons Lathrop (1851–1898) |
| The Guide-Post by Johann Peter Hebel (1760–1826) |
| If We Had the Time by Richard Burton (1861–1940) |
| The Rosemary by Margaret Deland (1857–1945) |
| Bringing Our Sheaves with Us by Elizabeth Akers Allen (1832–1911) |
| Moods of the Soul by Robert Underwood Johnson (1853–1937) |
| Royalty by Josephine Preston Peabody (1874–1922) |
| The Richest Prince by Justinus Kerner (1786–1862) |
| Louis XV. by John Sterling (1806–1844) |
| The People’s Petition by Wathen Marks Wilks Call (1817–1890) |
| The Song of the Lower Classes by Ernest Charles Jones (1819–1869) |
| The Ballad of the Common Folk by Théodore de Banville (1823–1891) |
| Song of the Forge—Author Unknown |
| The Cowboy by John Antrobus (1831–1907) |
| The Song of the Sons of Esau by Bertha Runkle (1879–1958) |
| Strollers by Madison Cawein (1865–1914) |
| A Loafer by John Davidson (1857–1909) |
| Threshed Out by Robert Kirkland Kernighan (1857–1926) |
| The Vagabonds by John Townsend Trowbridge (1827–1916) |
| The Pauper’s Drive by Thomas Noel (1799–1861) |
| The Master’s Touch by Horatius Bonar (1808–1889) |
| The Making of Men by John White Chadwick (1840–1904) |
| The Larger Prayer by Ednah Dow Littlehale Cheney (1824–1904) |
| Gifts by Emma Lazarus (1849–1887) |
| A Poet’s Hope by William Ellery Channing (1818–1901) |
| The Last Poet by Anastasius Grün (1806–1876) |
| We Are the Music-Makers by Arthur William Edgar O’Shaughnessy (1844–1881) |
| Accordance by Anne Charlotte Lynch Botta (1815–1891) |
| Chopin by Emma Lazarus (1849–1887) |
| What the Sonnet Is by Eugene Lee-Hamilton (1845–1907) |
| The Book-Stall by Clinton Scollard (1860–1932) |
| A Book-Lover’s Apologia by Harriette C. S. Buckham |
| The Chrysalis of a Bookworm by Maurice Francis Egan (1852–1924) |
| To the Memory of Ben Jonson by John Cleveland (1613–1658) |
| Give Me the Old by Robert Hinckley Messinger (1811–1874) |
| Maurice de Guérin by Maurice Francis Egan (1852–1924) |
| Theocritus by Annie Adams Fields (1834–1915) |
| Carlyle and Emerson by Montgomery Schuyler (1843–1914) |
| The American Pantheon by Christopher Pearse Cranch (1813–1892) |
| The Boy Van Dyck by Margaret Junkin Preston (1820–1897) |
| Helena by Annie Adams Fields (1834–1915) |
| After Construing by Arthur Christopher Benson (1862–1925) |
| The Modern Romans by Charles Frederick Johnson (1836–1931) |
| Address to the Mummy in Belzoni’s Exhibition by Horace Smith (1779–1849) |
| A King in Egypt by Helen Thayer Hutcheson (1860–1886) |
| The World’s Justice by Emma Lazarus (1849–1887) |
| The Burial of Moses by Cecil Frances Alexander (1818–1895) |
| A Danish Barrow by Francis Turner Palgrave (1824–1897) |
| Bonaventura by Ellen Frances Terry Johnson |
| Sleepy Hollow by William Ellery Channing (1818–1901) |
| “He Bringeth Them unto Their Desired Haven” by Lewis Frank Tooker (1855–1925) |
| Sleep on, My Love by Henry King (1592–1669) |
| Smith of Maudlin by George Walter Thornbury (1828–1876) |
| A Greeting by Sarah Chauncey Woolsey (Susan Coolidge) (1835–1905) |
| Laughter and Death by Wilfred Scawen Blunt (1840–1922) |
| The Fountain of Tears by Arthur William Edgar O’Shaughnessy (1844–1881) |
| Song of the Silent Land by Johann Gaudenz von Salis-Seewis (1762–1834) |
| March by Arthur Cleveland Coxe (1818–1896) |
| Every Year by Albert Pike (1809–1891) |
| To O. S. C. by Annie Eliot Trumbull (1857–1949) |
| The Wind of Death by Ethelwyn Wetherald (1857–1940) |
| A Farewell to the Vanities of the World—Anonymous |
| Farewell, Earth’s Bliss by Thomas Nashe (1567–1601) |
| Ephemeron by Rosamund Marriott Watson (1860–1911) |
| “I Have Loved Flowers that Fade”—Author Unknown |
| The Haste of Love by Martin Opitz (1597–1639) |
| Atalanta by Maurice Thompson (1844–1901) |
| Immanence by Anna Callender Brackett (1836–1911) |
| In a Rose-Garden by John Bennett (1865–1956) |
| The Rosary by Robert Cameron Rogers (1862–1912) |
| A Threnody by Madison Cawein (1865–1914) |
| Come Back, Dear Days by Louise Chandler Moulton (1835–1908) |
| A Revery of Boyhood by Heinrich von Morungen (d. 1222) |
| Twilight by Ethelwyn Wetherald (1857–1940) |
| The Highway by Louise Betts Edwards |
| Old by Ralph Hoyt (1806–1878) |
| The Prime of Life by Walter Learned (1847–1915) |
| The Old by Roden Berkeley Wriothesley Noel (1834–1894) |
| The Great Breath by “A. E.” (George William Russell) (1867–1935) |
| The Refusal of Charon by William Edmondstoune Aytoun (1813–1865) |
| The Wild Ride by Louise Imogen Guiney (1861–1920) |
| The Frontier by Lloyd Mifflin (1846–1921) |
| Freedom of the Mind by William Lloyd Garrison (1805–1879) |
| The Cloister by Lydia Maria Child (1802–1880) |
| My Minde to Me a Kingdom Is by Sir Edward Dyer (1543–1607) |
| Thought by Christopher Pearse Cranch (1813–1892) |
| Questionings by Frederic Henry Hedge (1805–1890) |
| Ancient Gueber Hymn—Author Unknown |
| Flammantis Mœnia Mundi by Annie Adams Fields (1834–1915) |
| The Cranes of Ibycus by Emma Lazarus (1849–1887) |
| The Soul’s Defiance by Lavinia Stoddard (1787–1820) |
| Any Soul to Any Body by William Cosmo Monkhouse (1840–1901) |
| Body and Soul by Emma Huntington Nason (1845–1921) |
| Greeting by Samuel Longfellow (1819–1892) |
| In Littles by William Channing Gannett (1840–1923) |
| To-morrows and To-morrows by Gertrude Bloede (Stuart Sterne) (1845–1905) |
| Shall I Look Back? by Louise Chandler Moulton (1835–1908) |
| Life by Margaret Deland (1857–1945) |
| What Life Is by Julie Mathilde Lippmann (1864–1952) |
| God by Gavrila Derzhavin (1743–1816) |
| “Can Find Out God?” by Eliza Scudder (1821–1896) |
| The Indwelling God by Frederick Lucian Hosmer (1840–1929) |
| The Comforter by Annie Adams Fields (1834–1915) |
| Mystery by Minot Judson Savage (1841–1918) |
| Helen Keller by Edmund Clarence Stedman (1833–1908) |
| Night and Death by Joseph Blanco White (1775–1841) |
| Nightfall by William Henry Furness (1802–1896) |
| Abide With Me by Henry Francis Lyte (1793–1847) |
| Help Thou My Unbelief by Louise Chandler Moulton (1835–1908) |
| Awaking by Gertrude Bloede (Stuart Sterne) (1845–1905) |
| Light Shining Out of Darkness by William Cowper (1731–1800) |
| Sursum by Philip Doddridge (1702–1751) |
| God With Us by Nathaniel Langdon Frothingham (1793–1870) |
| Fulfillment by William Augustus Muhlenberg (1796–1877) |
| Rest by Mary Woolsey Howland (1832–1864) |
| Nearer Home by Phoebe Cary (1824–1871) |
| Perfect Peace by Augusta Larned (1835–1924) |
| We Are Children by Robert Buchanan (1841–1901) |
| Rocked in the Cradle of the Deep by Emma Hart Willard (1787–1870) |
| No More Sea by Eliza Scudder (1821–1896) |
| Tranquillity—Author Unknown |
| Evening Hymn by Chandler Robbins (1810–1882) |
| Vesper Hymn by Samuel Longfellow (1819–1892) |
| Morning Hymn by Thomas Ken (1637–1711) |
| The Age of Gold by Minot Judson Savage (1841–1918) |
| Paradise by Frederick William Faber (1814–1863) |
| Peace on Earth by Edmund Hamilton Sears (1810–1876) |
| “I Would not Live Alway” by William Augustus Muhlenberg (1796–1877) |
| Faith and a Heart by John Lancaster Spalding (1840–1916) |
| Faith and Hope by Sir Robert Grant (1779–1838) |
| Faith by William Henry Hurlburt (1827–1895) |
| My Faith Looks Up to Thee by Ray Palmer (1808–1887) |
| The Gate of Heaven—Author Unknown |
| The Almighty Love by Theodore Parker (1810–1860) |
| A Shelter Against Storm and Rain by Friedrich Rückert (1788–1866) |
| Heaven, O Lord, I Cannot Lose by Edna Dean Proctor (1829–1923) |
| Come Ye Disconsolate by Thomas Moore (1779–1852) |
| The Hope of the Heterodox by John Stuart Blackie (1809–1895) |
| Hymn and Prayer by James Freeman Clarke (1810–1888) |
| For Divine Strength by Samuel Johnson (1822–1882) |
| De Profundis by Henry Williams Baker (1821–1877) |
| Roll Out, O Song by Frank Sewall (1837–1915) |
| Christmas Hymn by Nahum Tate (1652–1715) |
| Tryste Noel by Louise Imogen Guiney (1861–1920) |
| San Lorenzo Giustiniani’s Mother by Alice Meynell (1847–1922) |
| Jesus the Carpenter by Christina Catherine Fraser-Tytler (Mrs. Edward Liddell) (b. 1848) |
| The Guest—From Christ Church MS. |
| Character of a Happy Life by Sir Henry Wotton (1568–1639) |
| Death the Leveler by James Shirley (1596–1666) |
| Night unto Night Showeth Forth Knowledge by William Habington (1605–1654) |
| In Imagine Pertransit Homo by Thomas Campion (1567–1620) |
| I Love to Steal Awhile Away by Phoebe (Hinsdale) Brown (1783–1861) |
| Trust in Faith by George Santayana (1863–1952) |
| Onward, Christian Soldiers by Sabine Baring-Gould (1834–1924) |
| A Prayer for Unity by John White Chadwick (1840–1904) |
| The Starry Host by John Lancaster Spalding (1840–1916) |
| Universal Worship by John Pierpont (1785–1866) |
| The Dedication of a Church by Andrews Norton (1786–1853) |
| The Old Church by Annie Fellows Johnston (1863–1931) |
| The Winged Worshipers by Charles Sprague (1791–1875) |
| The Circuit Preacher by George Alfred Townsend (1841–1914) |
| Sacrifice by Emily Pauline Johnson (1861–1913) |
| Art Thou Weary? by Saint Stephen the Sabaite (725–796) |
| The Guest by Harriet McEwen Kimball (1834–1917) |
| I Hold Still by Julius Sturm (1816–1896) |
| Wishes and Prayers by Margaret Deland (1857–1945) |
| Milton’s Prayer of Patience by Elizabeth (Lloyd) Howell (1811–1896) |
| The Voyage by Caroline Atherton Mason (1823–1890) |
| The Will of God by Frederick William Faber (1814–1863) |
| Not My Will, but Thine by M. A. L. |
| The Things I Miss by Thomas Wentworth Higginson (1823–1911) |
| “Though Naught They May to Others Be” by George McKnight (1840–1897) |
| The Abbé’s Dream by Nathan Haskell Dole (1852–1935) |
| Take My Life by Frances Ridley Havergal (1836–1879) |
| Justice by Charles Francis Richardson (1851–1913) |
| Love and Humility by Henry More (1614–1687) |
| Conscience by Florence Earle Coates (1850–1927) |
| Conscience and Remorse by Paul Laurence Dunbar (1872–1906) |
| The House of Hate by Helen Gray Cone (1859–1934) |
| The Wind of Memory by Ethelwyn Wetherald (1857–1940) |
| My Shadow by Louise Betts Edwards |
| The Judgment by Dora Read Goodale (1866–1953) |
| “If I Have Sinned” by Hartley Coleridge (1796–1849) |
| What the King said to Christ at the Judgment by Isa Carrington Cabell (1860–1923) |
| Dies Iræ by Thomas à Celano (c. 1200–c. 1265) |
| Dies Iræ—Author Unknown |
| To the Lord of the Years by William Carman Roberts (1874–1941) |
| The Return by Philip James Bailey (1816–1902) |
| The Banner of the Jew by Emma Lazarus (1849–1887) |
| The Dead Solomon by John Aylmer Dorgan (1836–1867) |
| Jonah’s Voyage in the Whale—Author Unknown |
| Pearl—Author Unknown |
| The Wedding of Pale Bronwen by Ernest Rhys (1859–1946) |
| The Folk of the Air by William Butler Yeats (1865–1939) |
| Father Gilligan by William Butler Yeats (1865–1939) |
| The Seven Fiddlers by Sebastian Evans (1830–1909) |
| The Ballad of the Brides of Quair by Isa Craig Knox (1831–1881) |
| Glenlogie—Scottish Minstrelsy |
| Binnorie—Author Unknown |
| The Wife of Usher’s Well—Author Unknown |
| Lord Lovel—Author Unknown |
| Barbara Allen’s Cruelty—Author Unknown |
| The Last Hunt by William Roscoe Thayer (Paul Hermes) (1859–1923) |
| The Red Fisherman by Winthrop Mackworth Praed (1802–1839) |
| The Marine: A Folk-Song by Sir Arthur Thomas Quiller-Couch (1863–1944) |
| The Story of Karin—Author Unknown |
| The Merman—Author Unknown |
| The Legend of Walbach Tower by George Houghton |
| The Piper of Gijón by Ramón de Campoamor (1817–1901) |
| Ojistoh by Emily Pauline Johnson (1861–1913) |
| Bos’n Hill by John Albee (1833–1915) |
| Peter Rugg the Bostonian by Louise Imogen Guiney (1861–1920) |
| The Mystery of Cro-a-tàn by Margaret Junkin Preston (1820–1897) |
| Poems from Oriental Languages |
| It is All One in the Turkish by Shermidededeh |
| Persian Epigrams—Author Unknown |
| Dead Sea Fruit by Hudayi II., of Anatolia |
| To Sultan Murad II.—Author Unknown |
| The Dowry—Author Unknown |
| Fronti Nulla Fides—Author Unknown |
| To a Turkish Author by Foozooli |
| Memory by Foozooli |
| To Amíne, on Seeing Her About to Veil Her Mirror by Foozooli |
| Lament by Ahi, the Sigher |
| Passage by Ghalib |
| To Miriam, on Her Hair by Selman |
| Epigram to Yusuf Ben Ali Ben Yacoob by Scheichi II., surnamed Djaghidshurdshi |
| Epigram to a Friend who had Invited the Author to Supper, and Read to Him a Book of his Ghazels by Djeseri Kasim-Pasha, surnamed Safi, or The Speckless |
| Saying of Kemalledin Khogendi by Kemalledin Khogendi |
| Sayings of Djelim by Schinasi |
| Lines on the Launching of the Bash-tardah—Author Unknown |
| Description of Morning by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| Effects of Laziness by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| To Mailuka by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| To Rayab Ana Sherehemiz, the Female Traveler by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| To Zureida by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| Opinions no Pinions by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| Orthodoxy, or the Doxy? by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| The Panegyric of Amrapolas, near Brusa by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| Trophy Taken from Love by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| Haroun-Al-Rashid and the Dust by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| What Is Love? by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| Epigram: ‘Get silver ice’ by Lamii (Mohammed Ben Osman Ben Ali Nakkash) |
| From ‘Bhang U Badeh’ by Foozooli |
| Ghazel and Song by Abdallah Nihauni |
| Cast Not Pearls Before Swine by Rahiki, of Constantinople |
| To Míhri by Rahiki, of Constantinople |
| Night is Nearing by Baba Khodjee |
| The Thanksgiving of the Pharisee by Durweesh Fakrideed of Klish |
| The Time of the Barmecides—Author Unknown |
| Ghazel: The World by Kemal-oomi |
| Dark Aspect and Prospect by Abdulkerim |
| The Arab Lover to His Mistress—Author Unknown |
| Mother to Her Daughter—Author Unknown |
| A Group of Indian Epigrams |
| An Indian Narcissus—Author Unknown |
| Sorry Cupid’s Merry-go-Round—Author Unknown |
| Mahatma—Author Unknown |
| Detachment—Author Unknown |
| “When I Have a Convenient Season”—Author Unknown |
| Sic Transit Gloria Mundi—Author Unknown |
| From the ‘Garland of Questions and Answers’—Author Unknown |
| “Work Out Your Salvation with Heedfulness”—Buddha’s Dying Word |
| The Letter Killeth—Author Unknown |
| Sham Admiration in Literature—Author Unknown |
| Realities—Author Unknown |
| Wisdom is Better Than Rubies—Author Unknown |
| The Senses—Author Unknown |
| Use and Waste—Author Unknown |
| “I Were But Little Happy if I Could Say How Much”—Author Unknown |
| The Lost Heart—Author Unknown |
| “Full Many a Flower is Born to Blush Unseen”—Author Unknown |
| O Cotton-Tree!—Author Unknown |
| Solid Something—Author Unknown |
| Just My Luck—Author Unknown |
| The Five Double U’s—Author Unknown |
| Death Better Than Poverty—Author Unknown |
| The Metempsychosis (I)—Author Unknown |
| The Metempsychosis (II)—Author Unknown |
| [Greek]—Author Unknown |
| Hide and Seek by Saxon |
| Song of the Tonga-Islanders—Author Unknown |
| Kulnasatz, My Reindeer—Author and Translator Unknown |
| Beware by Henry Wadsworth Longfellow (1807–1882) |
| The Rosy Musk-Mallow by Alice E. Gillington (1863–1934) |
| “Reszket a Bokor, mert” by Sándor Petőfi (1823–1849) |
| The Captain in Love—Author Unknown |
| Love Detected—Author Unknown |
| Folk-Songs |
| Country Loves—Author Unknown |
| The Leaves of Maize—Author Unknown |
| Returned with Usury—Author Unknown |
| “O dove, that flying o’er the hill”—Author Unknown |
| Santa Zita: The Miracle at the Well—Author Unknown |
| The Golden Girdle—Author Unknown |
| Invocation—Author Unknown |
| Without and Within by Pietro Metastasio (1698–1782) |
| Scent o’ Pines by Hugh M’Culloch |
| To the Rose by Friedrich Hölderlin (1770–1843) |
| Alone in the Fields by Hermann Allmers (1821–1902) |
| “Mentre Ritorna il Sole” by Enrico Panzacchi (1840–1904) |
| “If Spirits Walk” by Sophie Jewett (Ellen Burroughs) (1861–1909) |
| The Parting Lovers by Chinese |
| The Palm and the Pine by Heinrich Heine (1797–1856) |
| The Brookside by Richard Monckton Milnes, Lord Houghton (1809–1885) |
| His Way by Eva L. Ogden |
| From ‘Down the Bayou’ by Mary Ashley Townsend (1836–1901) |
| Watching by Emily Chubbuck Judson (Fanny Forrester) (1817–1854) |
| Clytia by Annie Adams Fields (1834–1915) |
| Two Guests by Susan Marr Spalding (1841–1908) |
| Take Heart! by Lucy C. Bull |
| An East-Indian Song by William Butler Yeats (1865–1939) |
| Indian Maid’s War Song—Nada-Wossi (Canada) Poem |
| Brant to the Indians by Guy Humphrey McMaster (1829–1887) |
| The Race of the “Boomers” by Richard Burton (1861–1940) |
| A Wet Sheet and a Flowing Sea by Allan Cunningham (1784–1842) |
| Hail, Columbia! by Joseph Hopkinson (1770–1842) |
| Oh the Pleasant Days of Old! by Frances Browne (1816–1879) |
| Busy, Curious, Thirsty Fly by Vincent Bourne (1695–1747) |
| Drake’s Drum by Sir Henry John Newbolt (1862–1938) |
| My Country, ’Tis of Thee by Samuel Francis Smith (1808–1895) |
| Poems of the Great War |
| Young and Old by Henry Allsopp |
| Crocuses at Nottingham—Anonymous |
| St. Ouen in Picardy—Anonymous |
| A Ballad of Deathless Dons by Wilfrid Blair (1889–1968) |
| Here: and There by Francis William Bourdillon (1852–1921) |
| The Soldier by Rupert Brooke (1887–1915) |
| Aftermath by Herbert Gardner, Lord Burghclere (1846–1921) |
| Kitchener’s March by Amelia Josephine Burr (1878–1968) |
| Langemarck at Ypres by William Wilfred Campbell (1861–1918) |
| The Wife of Flanders by G. K. Chesterton (1874–1936) |
| Vive la France! by Charlotte Holmes Crawford (1885–1971) |
| A Harrow Grave in Flanders by Robert Offley Ashburton Crewe-Milnes, Marquess of Crewe (1858–1945) |
| On Leave by Houston Larmour Doak (1890–1953) |
| An English Soldier’s Testament by Eliot Crawshay-Williams (1879–1962) |
| Territorials by Agnes S. Falconer |
| “Who Only Stand and Wait” by Jefferson Butler Fletcher (1865–1946) |
| The Jewish Conscript by Florence Kiper Frank (1885–1976) |
| The Gift by Hugh Rex Freston (1891–1916) |
| Her “Allowance!” by Lillian Gard |
| The Father by Wilfrid Wilson Gibson (1878–1962) |
| The Question by Wilfrid Wilson Gibson (1878–1962) |
| Raining by Wilfrid Wilson Gibson (1878–1962) |
| “I Have No Ring” by Bernard Gilbert (1882–1927) |
| The Dead by Violet Gillespie |
| Sure, It’s Fun by Richard Butler Glaenzer (1876–1937) |
| Into Battle by Julian Grenfell (1888–1915) |
| Non-Combatant by Cicely Mary Hamilton (1875–1952) |
| The Old Way by Ronald Arthur Hopwood (1868–1949) |
| The Twa Weelums by Violet Jacob (1863–1946) |
| The White Ships and the Red by Joyce Kilmer (1886–1918) |
| The Spires of Oxford by Winifred Mary Letts (1882–1972) |
| Abraham Lincoln Walks at Midnight by Vachel Lindsay (1879–1931) |
| Before the Declaration of War by Amy Lowell (1874–1925) |
| Patterns by Amy Lowell (1874–1925) |
| His Only Way by Habberton Lulham |
| To Melos, Pomegranate Isle by Grace Harriet Macurdy (1866–1946) |
| In Flanders Fields by John McCrae (1872–1918) |
| The Fleets by M. G. Meugens |
| “When Will the War Be By?” by Charles Murray (1864–1941) |
| The Fisher-Lad by J. A. Nicklin |
| Master and Pupil by O. M. |
| Canadians by Will H. Ogilvie (1869–1963) |
| Socks by Jessie Pope (1868–1941) |
| Belgium the Bar-lass by Agnes Mary Frances Duclaux (Robinson-Darmesteter) (1857–1944) |
| Awake! America by Henry M. Sage (1868–1933) |
| Australians to the Front! by John Sandes (1863–1938) |
| I Have a Rendezvous with Death by Alan Seeger (1888–1916) |
| The Mother by Susan Frances Harrison (“Seranus”) (1859–1935) |
| “Form Fours” by Frank Sidgwick (1879–1939) |
| “All the Hills and Vales Along” by Charles H. Sorley (1895–1915) |
| Sailor, What of the Debt We Owe You? by Andrew John Stuart (1880–1915) |
| England’s Dead by Frank Taylor |
| A Letter by Miriam Teichner |
| Mare Liberum by Henry van Dyke (1852–1933) |
| From a Flemish Graveyard by Iolo Aneurin Williams (1890–1962) |
| The First Battle of Ypres by Margaret L. Woods (1856–1945) |
| Kitchener by X. |
| Marching on Tanga by Francis Brett Young (1884–1954) |