C.D. Warner, et al., comp. The Library of the World’s Best Literature.
An Anthology in Thirty Volumes. 1917.
The Mountain Gloom
By John Ruskin (18191900)
I
Green field, and glowing rock, and glancing streamlet, all slope together in the sunshine towards the brows of the ravines, where the pines take up their own dominion of saddened shade; and with everlasting roar in the twilight, the stronger torrents thunder down pale from the glaciers, filling all their chasms with enchanted cold, beating themselves to pieces against the great rocks that they have themselves cast down, and forcing fierce way beneath their ghastly poise.
The mountain paths stoop to these glens in forky zigzags, leading to some gray and narrow arch, all fringed under its shuddering curve with the ferns that fear the light; a cross of rough-hewn pine, iron-bound to its parapet, standing dark against the lurid fury of the foam. Far up the glen, as we pause beside the cross, the sky is seen through the openings in the pines, thin with excess of light; and, in its clear, consuming flame of white space, the summits of the rocky mountains are gathered into solemn crown and circlets, all flushed in that strange, faint silence of possession by the sunshine which has in it so deep a melancholy; full of power, yet as frail as shadows; lifeless, like the walls of a sepulchre, yet beautiful in tender fall of crimson folds, like the veil of some sea spirit that lives and dies as the foam flashes; fixed on a perpetual throne, stern against all strength, lifted above all sorrow, and yet effaced and melted utterly into the air by that last sunbeam that has crossed to them from between the two golden clouds.
High above all sorrow: yes; but not unwitnessing to it. The traveler on his happy journey, as his foot springs from the deep turf and strikes the pebbles gayly over the edge of the mountain road, sees with a glance of delight the clusters of nut-brown cottages that nestle among those sloping orchards, and glow beneath the boughs of the pines. Here, it may well seem to him, if there be sometimes hardship, there must be at least innocence and peace, and fellowship of the human soul with nature. It is not so. The wild goats that leap along those rocks have as much passion of joy in all that fair work of God as the men that toil among them. Perhaps more. Enter the street of one of those villages, and you will find it foul with that gloomy foulness that is suffered only by torpor, or by anguish of soul. Here it is torpor: not absolute suffering, not starvation or disease, but darkness of calm enduring;—the spring known only as the time of the scythe, and the autumn as the time of the sickle; and the sun only as a warmth, the wind as a chill, and the mountains as a danger. They do not understand so much as the name of beauty, or of knowledge. They understand dimly that of virtue. Love, patience, hospitality, faith,—these things they know. To glean their meadows side by side, so happier; to bear the burden up the breathless mountain flank, unmurmuringly; to bid the stranger drink from their vessel of milk; to see at the foot of their low death-beds a pale figure upon a cross, dying also, patiently;—in this they are different from the cattle and from the stones, but in all this unrewarded as far as concerns the present life. For them, there is neither hope nor passion of spirit; for them neither advance nor exultation. Black bread, rude roof, dark night, laborious day, weary arm at sunset; and life ebbs away. No books, no thoughts, no attainments; no rest except only sometimes a little sitting in the sun under the church wall, as the bell tolls thin and far in the mountain air; a pattering of a few prayers, not understood, by the altar rails of the dimly gilded chapel, and so back to the sombre home, with the cloud upon them still unbroken—that cloud of rocky gloom, born out of the wild torrents and ruinous stones, and unlightened even in their religion except by the vague promise of some better thing unknown, mingled with threatening, and obscured by an unspeakable horror—a smoke as it were of martyrdom, coiling up with the incense, and amidst the images of tortured bodies and lamenting spirits in hurtling flames, the very cross, for them, dashed more deeply than for others with gouts of blood.
Do not let this be thought a darkened picture of the life of these mountaineers. It is literal fact. No contrast can be more painful than that between the dwelling of any well-conducted English cottager and that of the equally honest Savoyard. The one, set in the midst of its dull flat fields and uninteresting hedge-rows, shows in itself the love of brightness and beauty; its daisy-studded garden beds, its smoothly swept brick path to the threshold, its freshly sanded floor and orderly shelves of household furniture, all testify to energy of heart, and happiness in the simple course and simple possessions of daily life. The other cottage, in the midst of an inconceivable, inexpressible beauty, set on some sloping bank of golden sward, with clear fountains flowing beside it, and wild flowers and noble trees and goodly rocks gathered round into a perfection as of Paradise, is itself a dark and plague-like stain in the midst of the gentle landscape. Within a certain distance of its threshold the ground is foul and cattle-trampled; its timbers are black with smoke, its garden choked with weeds and nameless refuse, its chambers empty and joyless, the light and wind gleaming and filtering through the crannies of their stones. All testifies that to its inhabitant the world is labor and vanity; that for him neither flowers bloom, nor birds sing, nor fountains glisten; and that his soul hardly differs from the gray cloud that coils and dies upon his hills, except in having no fold of it touched by the sunbeams.