Thomas R. Lounsbury, ed. (1838–1915). Yale Book of American Verse. 1912.
Eugene Field 18501895
Eugene Field228 Lydia Dick
W
Filling up with classic knowledge,
Frequently I wondered why
Old Professor Demas Bentley
Used to praise so eloquently
“Opera Horatii.”
Till my reasoning powers got stronger, As my observation grew, I became convinced that mellow, Massic-loving poet fellow, Horace, knew a thing or two. That, if we appraised him truly, Horace must have been a brick; And no wonder that with ranting Rhymes he went a-gallivanting Round with sprightly Lydia Dick! Tall and shapely was, and slender, Plump of neck and bust and arms; While the raiment that invested Her so jealously suggested Certain more potential charms. Those sweet accents that inspired him, And her crown of glorious hair,— These things baffle my description: I should have a fit conniption If I tried; so I forbear. Anyway, this man of letters Took that charmer as his pick. Glad—yes, glad I am to know it! I, a fin de siècle poet, Sympathize with Lydia Dick! I fall thinking of that lady, And the pranks she used to play; And I ’m cheered,—for all we sages Joy when from those distant ages Lydia dances down our way. With good reason, why in thunder Learned professors, dry and prim, Find such solace in the giddy Pranks that Horace played with Liddy Or that Liddy played on him. In those ancient singing voices, And our hearts beat high and quick, To the cadence of old Tiber Murmuring praise of roistering Liber And of charming Lydia Dick. Prattleth to the roses blowing By the dark, deserted grot. Still Soracte, looming lonely, Watcheth for the coming only Of a ghost that cometh not.