H.L. Mencken (1880–1956). The American Language. 1921.
Page 363
Much of the discussion of slang by popular etymologists is devoted to proofs that this or that locution is not really slang at all—that it is to be found in Shakespeare, in Milton, or in the Authorized Version. These scientists, of course, overlook the plain fact that slang, like the folk-song, is not the creation of people in the mass, but of definite individuals, 7 and that its character as slang depends entirely upon its adoption by the ignorant, who use its novelties too assiduously and with too little imagination, and so debase them to the estate of worn-out coins, smooth and valueless. It is this error, often shared by philologists of sounder information, that lies under the doctrine that the plays of Shakespeare are full of slang, and that the Bard showed but a feeble taste in language. Nothing could be more absurd. The business of writing English, in his day, was unharassed by the proscriptions of purists, and so the vocabulary could be enriched more facilely than today, but though Shakespeare and his fellow-dramatists quickly adopted such neologisms as to bustle, to huddle, bump, hubbub and pat, it goes without saying that they exercised a sound discretion and that the slang of the Bankside was full of words and phrases which they were never tempted to use. In our own day the same discrimination is exercised by all writers of sound taste. On the one hand they disregard the senseless prohibitions of schoolmasters, and on the other hand they draw the line with more or less watchfulness, according as they are of conservative or liberal habit. I find the best of the bunch and |